Wednesday, November 29, 2006
This book made me feel as tense and claustraphobic as What Happened to Cass McBride, even though it's an entirely different kind of book. When I read books like Anne Frank's The Diary of a Young Girl or read articles about people who have lived through horrific experiences like Rwanda, Sarajevo, or the Bataan Death March, I always wonder to myself how they made it through. I marvel when they turn their horrible experience into something positive instead of allowing themselves to become bitter and angry. "Could I do that?" I wonder. "Would I have survived, or would I have just given up?" I'd like to think that I'd survive with my spirit intact, but I don't know if I'm that strong. I hope I never have to find out, but I hope if the situation arises, I discover that I am. In Life as We Knew It, Miranda and her family discover that they are.
Sometimes the biggest events start out as nothing all that special. This is one of those times. Sure, people are talking about the asteroid that's about to hit the moon. This one is a little out of the ordinary because it's bigger than most asteroids that hit the moon. In fact, it's big enough that it can be seen with binoculars, not just a telescope. So it's a big enough event that Miranda's teachers are all giving moon/asteroid-related assignments, but not so big that anyone is worried. But they should have been. Because it turns out that the asteroid is not only bigger than scientists expected, it hits with much more force than expected. It hits with such force that the moon is knocked out of its orbit. It's pushed much closer to Earth than it was before.
So? Is that really significant? You bet it is. In fact, it's catastrophic. For one thing, the moon affects the tides. The first noticeable effect of the collision are the tsunamis that hit the coasts. By the next morning, there are reports of massive flooding all over the eastern seaboard and tidal waves of twenty feet or higher hitting cities as far inland as New York City. The Statue of Liberty is washed out to sea, Cape Cod, Nantucket, and Martha's Vineyard are completely submerged, the barrier islands off the Carolina coast are gone, and so is the entire state of Rhode Island. Hawaii and parts of Alaska are gone, too. And it's not just a United States problem. Similar devastation is happening around the world.
Nobody knows at first just how bad it's going to get. But Miranda's mother is smart enough to suspect that it's going to get a whole lot worse before it gets better. IF it gets better. She takes Miranda and her younger brother out of school, and the three of them and a neighbor head to the stores. They fill up cart after cart with canned and boxed foods, cat food and kitty litter, toilet paper, and anything and everything they think they could possibly use. Miranda's mother even buys seeds and cuttings, so they can plant their own vegetables. Because they have no way of knowing how long the situation will last or how bad it will get, everything has to be rationed, including their water and heating oil.
How bad does it get? After the tidal waves come the earthquakes. After the earthquakes come the volcanoes. Volcanoes that have been dormant for thousands of years or which are so far underground that they once posed no danger are erupting now. So much ash is thrown into the air that the sun is completely blocked. The first hard frost comes in August. By September, it's not unusual for the temperature during the day to reach a high of 23 degrees. By October, it's below zero. They can forget about growing plants for food. Communication networks break down. It's next to impossible to make or receive phone calls. Mail is disrupted. Electricity is available only an hour or two a day. Soon, it's on for only minutes a day. And then it's not on at all. With no mail, no phone, no television, and no internet, there's no way to get any news at all. They are completely isolated.
Miranda's journal begins on May 7 and ends on March 20. The early entries are typical of a teenage girl worried about her grades, her friends, fights with her mother, worries about her father and pregnant stepmother, and her fan-crush on a local Olympic-caliber skater. But as the crisis deepens, so do the journal entries, and the reader can't help but admire Miranda as she describes their struggles to survive. Though sometimes tempted to give up, she never does. It's inspiring. This is not a novel that's wrapped up neatly at the end. The situation is still dire. But we are left with an image of Miranda standing strong with a new sense of hope that better days are coming.
I highly recommend this book. It is not a comfort read. It will keep you on edge. You'll feel the cold and the hunger. But it will make you appreciate what you've got, both the material things and the people in your life you love. And maybe, like me, it'll make you think about what it takes to survive the tough times and come out stronger for it in the end.
By the way, this is the kind of book I wish would win the Printz. It is possible to have literary quality AND be something teens will actually read.
Wednesday, November 22, 2006
This post doesn't do justice to this book, but I'm going to put it up anyhow. When a book talks about going for your dreams, it's worth talking about. Caution: Some people may feel I've included some spoilers in this post. But I think this book isn't so much about what happens as it is about how Caitlin deals with what happens (and has happened).
Loved this line: "...and then I ask if we can sing some more, because I really want to work on this piece I'm doing. It goes up to a high E-flat, and that's the closest I can get to socially acceptable screaming."
I really liked this paragraph, too: "That's the thing about having real friends like Gigi and Sean. You feel like you can tell them the truth about stuff in your life, and they won't rag on you or try and use it against you, or try to talk you out of it because it doesn't fit with what they want." Food for thought.
This book is an object lesson on how NOT to be anonymous on the Web. Caitlin decides that she wants to write about the things she's experiencing, but she doesn't want to keep a journal or diary because she's afraid her mother would find and read it. She figures she'll keep an online journal (strangely enough, she doesn't use the word blog) because that way she can write whatever she wants and nobody will know it's her. Advice to Caitlin: if you really want to write about what's going on in your life but don't want people to know it's you, don't reveal: where you live, what school you go to, your ex-boyfriend's name and the detail that he used to beat you up, and that you used to be fat but lost a lot of weight and became a Homecoming Princess last year. You've just made it incredibly easy to figure out exactly who you are. You've got to pay more attention to those "stranger danger" lectures.
Caitlin is anxious to transfer to the Miami High School for the Arts for three reasons: she wants to get away from Nick, her ex-boyfriend who used to beat her up; she wants to get away from her so-called friends, who she doesn't really like; and she desperately wants to go to a school where it's okay to say out loud that you want to be an opera singer.
Caitlin has a few issues. (Don't we all?) For one thing, Caitlin was fat until she went to a fat camp and lost thirty-five pounds. All of a sudden, she's babe material, catching the attention of guys like Nick and getting accepted by the cheerleading crowd. As already mentioned, that didn't exactly work out well for her. She doesn't have an eating disorder now, but she certainly is very conscious of what she weighs and what she eats, and it's hard keeping the pounds off. No matter how good people tell her she looks, she always feels like a fat girl inside. Her mother doesn't help the issue any. She's the really hot girl in their house. She dresses (and sometimes acts) more like a teenage girl than Caitlin does, what with her crop tops, spandex, and four-inch high heels. If that was Caitlin's only mother issue, she could deal. But her mother's taste in men is questionable at best, and that has Caitlin worried and angry. On top of all that, her mother also isn't what you'd call supportive of her dreams. As far as her mother is concerned, opera is just noisy screeching. Caitlin's main issue is that she dreams of becoming an opera star, a diva. But it's easier to dream it than to achieve it, especially when you have more self-doubt than self-confidence.It's a lot to deal with, especially when you add her history with Nick into the pot and stir.
When Caitlin auditions for the Miami School for the Arts, she knows her mother isn't going to go for it. But Caitlin's audition is really impressive, and the school wants her. With a little prodding from her voice teacher, Caitlin decides to force the issue. In fact, she resorts to blackmail, telling her mother she'll go live with her father if her mother won't let her go. They both know her father doesn't want her and probably wouldn't take her, but the threat works anyway. Caitlin enrolls at MSFTA.
The book concentrates on Caitlin's experiences at school, her developing friendships with Gigi (sarcastic Eyebrow Ring Girl with the bright Jell-O red --today, anyhow-- hair) and Sean (talented, possible boyfriend material - but maybe not), and her feelings about her mother's affair with a married man. While most teens may not relate to wanting to sing opera, most people can relate to wanting to be really good at something. A lot of us can also relate to sometimes being a little afraid to go for something. What if we're not as good as people say we are? What if we look stupid? What if we blow it? Sometimes it's easier not to try, because then we won't fail. Then again, then we won't succeed, either.
This is a good book for anyone who has ever questioned their abilities and purpose. And that's pretty much all of us.
Are you a Dumper or a Dumpee? Colin is a Dumpee. He knows this because he's been dumped nineteen times. But this one is the worst. This one hurts more than all the other dumps combined. He didn't love all the other Katherines who dumped him, but he loved this one. He's so depressed that his best friend Hassan decides that the only thing that will help is a road trip to get Colin as far away from Katherine XIX as possible. Colin and Hassan eventually wind up in Shotgun, Tennesee. Enter Lindsey Lee Wells and her mother, Hollis.
Lindsey Lee works at the general store. She's pretty and intelligent, with a sharp wit. If she were only named Katherine (and he wasn't so depressed about being dumped), Colin might be interested. But she's not, and he is, and besides, Lindsey is already dating another guy named Colin. Her mother, Hollis, owns the factory that employs most of the town. She offers the boys a job interviewing the town's inhabitants about the good old days. What the heck. They have nothing better to do, and the road trip thing isn't really working for them. They say yes.
Colin and Hassan figure they aren't exactly small town Tennessee-type people. Colin is former child prodigy, super-intelligent, a lover of anagrams, a whiz at math, and the former boyfriend of nineteen girls named Katherine. And he's getting more and more worried as the months go by that he isn't living up to his early promise. Prodigies are good at something (like math and languages) at a very early age. Geniuses take known information and take it to unexpected and unexplored areas. Einstein was a genius. Colin was just a prodigy, and he can't bear the idea that he's washed up at eighteen. He is obsessed with the idea of making his life matter. Hassan, on the other hand, has blown off college and plans to continue blowing it off. He's a pudgy guy who just wants to let things happen as they happen. He probably has a lot of company in that in Gutshot. But Hassan is also a practicing Muslim (he doesn't smoke, drink, or date - usually) and there aren't a lot of those in Gutshot. He has a feeling he won't be very welcome here. The boys don't know what to expect from Gutshot, other than not much. Instead, of course, they get much more than they bargained for.
What do you do when you're a perpetual Dumpee? You wallow in your pain for a while, you check your cell phone constantly for messages you know aren't going to come, and every once in a while, you give in to the temptation to call your Dumper, even though you know it's a bad idea. And if you're Colin, you also spend hours working out a mathmatical equation, a theorem, that can predict the rise and fall of relationships. Wouldn't everyone want to know before it began how a relationship will unfold? Maybe this is the thing he'll be remembered for. Maybe this is how he will turn out to matter. The trouble is, he just can't get it right. A good theorem has to work every time, but his only works on some of his relationships, and he can't figure out why. It's Lindsey who gives him the keys. In fact, Lindsey is key to a lot that Colin learns over the summer.
I confess that I like the parts of this book more than I like the whole. There are a lot of individual passages and lines that I really like. There's a smart-*ss sense of humor that's fun as well as some very poignant moments and descriptions. I like and can relate to Colin in many ways. Don't most of us want to matter? But the math thing didn't work well for me. It felt forced and a little too cutesy. I also ran hot and cold on the footnotes. Some of them were fun and/or informative, but again, sometimes they seemed unnecessary or a somewhat clunky attempt to add humor. And here's an issue that nagged at me throughout the book. Colin has had nineteen Katherines as girlfriends. Within a week of meeting her, he bonds with Lindsey. This does not strike me as the hallmark of a boy who has a hard time relating to people socially, and it seems highly unlikely of a boy who has only managed to form one other friendship in his life, yet we keep getting told that he's socially incompetent. I know some of his Katherines lasted merely hours or days, and that they were girlfriends in just the very loosest definition of the word, but others lasted months and were real relationships. Is he only socially inept with everyone not named Katherine or Lindsey Lee? One last thing: I think it's a bit of a problem when the sidekick in the book has a stronger, more interesting personality than the protagonist
What did work for me was the friendship between Colin and Hassan and the development of the relationship between Colin and Lindsey. Hassan is a wonderful character, both warm and funny. Their friendship feels absolutely true, especially because Green tosses a few rough moments and home truths into the mix. Green also shows a deft hand with the Colin-Lindsey relationship. True, there's nothing particularly surprising about it. But I enjoyed watching as they learned that neither was quite all they seemed to be, and I enjoyed the banter between them. Best of all were the scenes in the cave.
Is this another Printz book for Green? I don't think so. Is it a Top Ten of 2006 kind of book? I don't think so. Is it a book that everyone will love? Probably not. But the right audience will enjoy this book for its humor as well as for its more thought-provoking moments. It's worth spending some time with Colin and his friends.
Edited on January 31 to say, "Shows what I know." Congratulations to John Green. KoA was named a Printz Award Honor book on January 22, 2007. Still, this decision is on my list of Things That Make You Go "Hmmmmmm."
Lines that caught my attention while reading:
The missing piece in his stomach hurt so much--and eventually he stopped thinking about the Theorem and wondered only how something that isn't there can hurt you.
Colin: You can love someone so much, he thought. But you can never love people as much as you can miss them.
Colin: Books are the ultimate Dumpees: put them down and they'll wait for you forever; pay attention to them and they always love you back.
Katherine I to Colin: I think maybe you try to be odd on purpose. I think you like that. It makes you you and not someone else.
(This is on page 142, which also has a neat conversation about love and math (and French), which is too long to quote. But I like this quote because I think a lot of us do this at times.)
Colin, after tasting a swig of moonshine: ...Wow. Wow. Man. It's like French-kissing a dragon.
Lindsey: (She's saying that things about her boyfriend, Colin, and Hassan are either true or not true.) But I'm not like that. I'm what I need to be at any moment to stay above the ground but below the radar. The only sentence that begins with "I" that's true of me is I'm full of s*** ." (Green doesn't use asterisks, of course. Sorry. This is a work blog, and I have to observe certain boundaries. This section is too long to quote, but check out pp. 149-151 for the whole thing. I think Lindsey has more company in this than she thinks she has.)
Monday, November 20, 2006
Alex is in big trouble. He's really ticked off at his parents, who divorced the previous year. Dad shacked up with Alex's third grade teacher, and Mom's going out on her first date post-divorce. Alex decides to drink some vodka (make that a lot of vodka) and then drive over to his father's house to confront him. He makes it as far as a neighbor's house before crashing the car and running over a garden gnome. He then compounds the problem by throwing up all over the arresting officer's shoes and making a lot of really bad, really drunken jokes. Then there's the little incident at the police station, where he dumps hot coffee all over the desk sergeant's lap. Yeah, Alex is in trouble, all right. He's sentenced to a hundred hours of community service at a nearby nursing home, working with a cantankerous old man named Sol Lewis.
Alex's relationship with Sol starts on a rocky note, since Sol is supposedly quite the terror (he's chased off three or four volunteers already). Sol is a joker with a bit of a mean streak (well, I think his jokes are a little mean), and he's impatient and cranky. But, of course, he also has a soft spot about a half a mile wide. And, of course, he's wise, at least in some ways. For instance, he knows before Alex does that Alex and Laurie are destined to be a couple, not just best friends. When Alex brings his guitar to the home one day and starts to play for Sol, he discovers that Sol loves jazz. Because Alex is more than a little self-centered, he doesn't pick up on the fact that Sol doesn't just love jazz, he knows jazz. Clearly, there's more to Sol than meets the eye. It takes a while, but Alex grows to enjoy his visits to the nursing home and Sol soon becomes much more to him than community service.
Family relationships are another theme in this book, involving not only Alex's family, but also Laurie's and Sol's. I won't go into that, since I don't want to give away too many spoilers. But it's safe to say that forgiveness, talking things out, and accepting that people are complicated are things that more than one character in this book grapple with.
I really enjoyed (and cried over) Sonnenblick's first book, Drums, Girls, and Dangerous Pie. It was tender, moving, funny, sad, and a terrific read. and I thought the voice of the main character was just right. The main character in that book is Steven, an eighth grader dealing with his little brother's cancer. Steven sounds like an eighth grader (not surprising, since the author is a middle school teacher). My problem with Notes from the Midnight Driver is that Alex, the main character, also sounds like an eighth or ninth grader. But he's sixteen. He doesn't talk like a high school junior, he doesn't think like a high school junior, and he doesn't act like a high school junior. That was a stumbling block for me. When I realized he wasn't a high school freshman or sophomore, my mind did a disconnect.
Don't get me wrong. This isn't a bad book. It's a very quick, light, and enjoyable read, and I'm sure I'll recommend it to many readers. But it's also very predictable, and because Alex is written the way he is, teens his age aren't likely to get hooked on his character. And readers who like books with a bit of an edge or more depth of feeling will probably want to look elsewhere. That being said, I think many younger teens will enjoy this book.
Saturday, November 18, 2006
5Q 5P S (language, violence)
"Sticks and stones may break your bones, but words can never hurt you." Bull. You know it and I know it. Words are powerful things. As a character in the book says, "Words are teeth". We all know that sometimes words hurt even more than a physical blow. Most of us have said things about someone and thought they'd never find out. Sometimes we've said whatever it was just to be funny. Sometimes we've said it just to be nasty. Sometimes we know we're being unkind and we don't care. And sometimes we say something thoughtlessly, not really thinking about what we're saying at all. Does it matter what we say, if they're never going to know we said it? But what if they do find out?
When David Kirby asks Cass McBride out on a date, she can't imagine what in the world he was thinking. David is a loser with a capital L. No, David is a LOSER - full caps required. David isn't a wanna-be. He's a never-gonna-be. Why would this total nonentity think he was on her radar, let alone in her dating sphere? Cass is running for Homecoming Queen, so she doesn't give him the withering turndown he deserves. She smiles winningly and tells him that she's kind of tied up right now. But then she sits down at her desk and writes a scathing note about it to her best friend, Emily, who will be sitting in the same desk in the next period. She doesn't realize that David must have been watching her all through class. She doesn't realize he must have seen her write the note and put it under her chair. When she does realize it, it's too late: at the end of class, instead of leaving, David heads for her desk and reads the note before she can stop him.
That night, David takes a rope and hangs himself from a tree in front of his house.
The day after his funeral, when Cass wakes up, she's not in her warm, comfortable bed. She's buried who knows how far underground in a narrow wooden crate with a walkie-talkie strapped to her hand. Kyle Kirby, David's brother, intends to make Cass pay for her thoughtless, nasty words.
If you like reading books that stick a fist in your solar plexus and just keep pushing, if you like books that make you sweat, if you like books that put you in a place you never, ever want to be in -- this is your book. It's harsh. It pulls no punches. You will not like these people. But by the end, you will sympathize with them, at least a little bit.
It's a bit of a trademark with Gail Giles that the endings of her books leave a question in your mind. This one is no exception. I'm looking forward to comparing notes with other readers to see what they think is going on.
This isn't a book for everyone. The situation, the language, the violence all mark it as a book for older readers who like reading dark things. But for those readers, whew! This is another winner. You can read Gail Giles's Brain Droppings and blog or check out more of her books on her official web site.
Thursday, November 16, 2006
I enjoyed reading this book. I'm not so sure that the voices ring quite true (Eliot seems just a little too poetic), but I'm ignoring that little quibble. How can I resist a book that begins My mother is a wench?
Calliope has spent the last several years bouncing around from place to place around the country. She and her mother never stay in one place for long, and each time they leave, Cal's expected to cull through her stuff to keep only the essentials. (Of course, her idea of essential and her mother's don't exactly match.) Cal's mother makes jewelry, which she sells at Renaissance Faires around the country. Since that doesn't bring in much money, she also plays the role of a wench and sells food and beer at the Faires. For those of you who don't know, a Renaissance Faire recreates a medieval village, complete with a King, Queen, royal court, fools, villains, and townspeople, and you can play games and watch entertainment similar to that of the era. During the Renaissance, a waitress/serving girl was called a wench. Depending on the wench and the establishment, beer and food might not have been the only thing she sold. Cal's mother sticks to the food and beer, at least in terms of things she sells. Cal and Delores are on their way to North Carolina, where they're going to spend the summer at a huge Faire. Cal's hopes for this gig are no higher than they were for any of the other gigs her mother has dragged her to.
Eliot lives with his mother and father in a fat camp called Sonshine Valley Christian Camp. Before Eliot's father found religion and got carried away with it, the family was very close. But now Eliot's father spends his time writing cookbooks like What Would Jesus Eat? and running his Get Thin With Christ camps. He keeps his family far from the town and far from people in general. This is not how Eliot wants to live. Eliot rebels in little ways, such as buying a Jesus is a Liberal t-shirt (which he wears, but not exactly openly) and making fireworks (illegally, since he's neither licensed nor old enough).
The day Cal and her mother come to town, Eliot just happens to be in town. As Cal and her mother drive by, Eliot catches a glimpse of Cal and he knows he wants to know this girl. But that doesn't seem likely to happen, especially after his father (aka "God Guy") turns down their request to rent one of his cabins. But of course, they do meet. Unfortunately, Eliot's lips are bright green at the time. Also unfortunately, he doesn't know it. Fortunately, Cal happens to be the kind of girl who is intrigued by guys with green lips (and good taste in books). And so it begins.
But Cal and Eliot are not the only two who are deep into romance this summer. So is Delores. Cal's totally disgusted when her mother falls for Phineus, one of the jousters at the Faire. Phineus (Phi) is soooo full of himself. He's the kind of guy who just loves to strut around shirtless, putting the moves on all the women because he knows he's just sooooo handsome they won't be able to keep their eyes or hands off him. Ugh, ugh, ugh. But Delores has never been one to put someone else's needs or wants above her own, so she doesn't much care what Cal thinks of Phi. And when Phi decides that he wants to blow off this Renaissance Faire and head West, Delores sees no problem with that. Cal, on the other hand, doesn't want to leave. She's used to being told to leave things behind, and she usually does. But North Carolina has some essentials she's not going to leave without a fight.
This book is told in two voices, which seems to be increasingly common these day (Nick and Nora's Infinite Playlist, RobandSara.com, Snatched, to name a handful). I enjoyed the writing, and the two voices are distinct. As I noted above, I think Eliot's voice is sometimes a little too full of imagery to be fully believable as a fifteen-year-old boy, but Eliot's got enough going on in his head and in his life that I'm willing to cut him (and Brad Barkley) some slack on that. Eliot and Cal are two people you can really care about, and the secondary characters of Delores, Eliot's mother Linda, and Abel (who I loved as much as Cal does) are well drawn and more than just mere foils for Eliot and Cal. Eliot's father is a little more two-dimensional, and people who are tired of religious people being portrayed negatively aren't going to happy with this book. But his inflexibility and obsession are two characteristics that shape people and events, so the characterization is not gratuitous.
If you are looking for a good romance read with characters you can really care about, I recommend this book. And it's got a sense of humor to boot. What more could you ask for?
Thursday, November 09, 2006
4Q 4P, J S
Okay, I admit I have a little issue with this book. But I talked to a few people about my issue, and they don't agree, so it'll be interesting to see if I'm in a vast minority! Still, I liked it overall, so I'm giving it a thumbs up.
Lucy Martinez is on a road trip from Kansas to Phoenix with her older brother Jamie and his friend Kit. She is not enjoying it. For one thing, it's a long trip, and she's been stuck in the back seat the entire way. For another, Kit is a total jerk (also a total babe, but the jerk thing pretty much cancels that out). For a third, they're driving through a long, desolate section of New Mexico desert. It's way too hot and way too boring. So she's already not in a very good mood when Kit pulls out the beer that the guys bought to drink in their hotel room. What if a cop sees them and pulls them over? They're underage. Kit scoffs at that. What cop is going to be out here in the desert? Before the argument can get much further, a sudden thunderstorm whips up. It's inky black, and the rain is pouring down. They can barely see a foot in front of them. And then they feel it. The bump. The big, hollow kind of thunk that means you've hit something.
The boys are all for assuming that all they hit was a coyote. They want to keep going. But Lucy isn't so sure. She can see a patch of yellow light in the distance: a house. What if they hit someone's dog? Much to Jamie's annoyance and Kit's disgust, she insists that they go back to check.
It wasn't a dog. It wasn't a coyote. It was a girl. And she's dead.
There's nothing for it. They can't leave her there and pretend that nothing happened. Kit and Lucy head for the patch of light, knowing it means a house and someone who can call for help and the police. Enter Beth Osway, an artist in her thirties. Enter major complications.
Three underage kids in a car that reeks of beer. One dead girl with no identification at the side of the road. Jamie, the driver, is in serious trouble. The police take him to jail, and Kit and Lucy stay with Beth while things get taken care of. Over the next couple of days, Lucy's life is rocked with bombshell after bombshell. The police are deciding what to charge Jamie with. Kit is making moves on her, and she doesn't know how she feels about that. Jamie is making moves on Beth, who doesn't mind at all - but Lucy does. And there's something that doesn't quite add up about the dead girl. Where did she come from? Where was she going? What was she doing out in the middle of the desert with no backpack or anything? The only clue is something that the police don't know that Lucy has: a tiny charm she found near the victim's body. Lucy becomes convinced that there's more to the story, and she's determined to clear Jamie's name. She convinces a very unwilling Kit to help her figure out who the girl was and how she got into the desert. This is a trail that leads them straight towards danger...and straight towards some sort of strange romantic interlude, too.
There's no doubt about it, this is a book with a good hook. You're going to want to keep reading. I did, anyhow. The relationships in this book are what made it most interesting to me, not so much the mystery. Beth is an interesting character who clearly has moments in her past she'd prefer to forget. She's clearly not a people-person, so I was surprised by how she evolves. The art storyline really worked for me in helping to define characters, though I thought Beth's critique of Lucy's art work was too obviously a harbinger of things to come. Lucy drives the story, though, and she's worth spending time with. But I'm still having trouble buying the Lucy-Kit thing, even though there's no denying that the hot factor can overwhelm even the most sensible of people. It just doesn't seem consistent with Lucy's character. On the other hand, traumatic events can make people do things that are out of character, so there you go. And again, there is that hot factor!
Friday, November 03, 2006
I'm so sorry to write what I'm about to write. I loved Jaclyn Moriarty's Feeling Sorry for Celia and liked her Year of Secret Assignments. I was so looking forward to reading this one. And now I have a terribly letdown feeling, because frankly, it was just not fun to read. At almost 500 pages, it was a long slog, even though it's written in journal format, which usually means a book reads more quickly.
Bindy Mackenzie is an extraordinarily intelligent girl in what would be her junior year in high school if she lived in the U.S. instead of Australia. She is also one of the least liked girls in her school, although she tries to be helpful and friendly to everyone. The trouble is, Bindy's people skills aren't as well developed as her study skills, so her fellow students don't see her as being friendly and helpful. They see her as being condescending, overbearing, too smart for her own good, and at least a little strange. And you know what? She is. As I read this story, even hearing it from Bindy's point of view, I agreed with her classmates. If I'm going to read 500 pages of a novel, I want to like the person I'm reading about. And I didn't. Now, don't get me wrong. I didn't hate her. I just found her irritating and remarkably clueless about herself and her family. We often hear that journaling helps people find clarity and understand themselves better. But Bindy occasionally writes things in her journal (particularly in a section she calls her life story) that are pretty revealing if you have the least bit of ability to read between the lines. Apparently, as good a student as she is, this is not one of her skills, because things that raise flags for the reader (which include six fellow students in her FAD - Friendship and Development - group, not just the person reading the book) don't trigger any sort of reaction in her at all. She truly is clueless about herself and her family, and frankly, that was as annoying as it was (to me) unlikely. She's too smart not to pick up on such obvious clues.
Bindy has always been a top student - until this year. This year, things have changed. Not only has she moved in with her aunt and uncle, but her grades are plummeting and she often feels tired and sick. She refuses to see the doctor. Among other reasons, she's afraid he'll tell her she has glandular fever [aka mononucleosis], and only teenagers get that. Bindy believes she isn't a teenager. Bindy's school is trying a new class this year for Year Eleven students. It's called Friendship and Development, and it's supposed to be a support group for students, since Year Eleven is such a difficult year (like junior year here!). Bindy thinks the group is a total waste of time (and writes to the education authorities to say so - three times). Included in her FAD group are Elizabeth (from Feeling Sorry for Celia and Emily (from Year of Secret Assignments, Toby, who she used to be friendly with in elementary school, Astrid (who Bindy has an unpleasant history with), and Finnegan, a new student and her assigned buddy. (On page 430, I was still waiting for her to admit that she has a crush on Finnegan and to find out if the feeling was mutual.) On the first day of FAD, the class is asked to write a sentence about each person in the class. Bindy is crushed and angry to see what they write about her, and she doesn't handle it well. Her methods of retaliation backfire on her big time, and she eventually realizes she needs to apologize. She also realizes she hasn't done some assignments for her FAD teacher. To make up the work, she writes her life story for her FAD teacher. It is this assignment that her fellow FAD students later find, read, and decide is evidence that someone is trying to murder Bindy. (The evidence: she's tired, she can't concentrate, those plummeting grades, a strange mania for the word Cincinnati). After all, they reason, a lot of people have reason to want her out of their lives, including 1) the student she ratted out for drug use, 2) the students who can no longer use the school's intranet to share files because Bindy ratted them out, 3) the teachers she overheard having an argument that turns physical, 4) the principal, because he's tired of all the messages she sends him, or 5) her aunt and uncle, who need her room for the new baby. Is Bindy's life really in danger? Is she really being poisoned? It could be.
But this book isn't really a mystery, let alone a murder mystery. In Australia, where it was first published, the book is titled Becoming Bindy, and that really is what the book is about. Bindy understands so little about herself at the beginning of the school year, and she learns so much about herself (and other people!) by the end of it. She has become a new person.
Does this book have the same trademark humor that marked Moriarty's previous two books? I didn't think so. But reviews on Amazon.co.uk and Amazon.com disagree with me. They found a lot more humor in it than I did (I did find some, though!). Overall, they like it more than I did. I'm really interested to hear what other people thought about this book, especially teens. In the meantime, I want to go back and read the other two books again, and I will still wait impatiently for the next Jaclyn Moriarty book!