Life on the Runway Isn't Easy

Model: A Memoir: Pretty Girl, Ugly Business by Cheryl Diamond
3.5Q 4P; Audience: J/S

Confession: I don't have a clue who Cheryl Diamond is, and I care not one whit about fashion or modeling. But positive reviews for the book caught my eye, and knowing that a lot of my teen patrons do like fashion-related things, I ordered it for the library. When it came in, I picked it up to check it out. I have to say, I thoroughly enjoyed reading it. Cheryl was just sixteen when she went to New York to try to break into the modeling business, and this book covers a year or so in her life. She writes about how she dealt with her less-than-supportive modeling agency, bizarre photographers and makeup artists, catty fellow models, and the numerous guys, some quite shady, who are always on the sidelines trying to hook up with a model. She describes what she had to go through to get bookings when her own agency was working against her, what it's like doing a runway show (Chaos! Don't smile! Walk like a horse!), the perks of being a model (bouncers love models!), and the downsides (it's an ego-bruising business). Even better, she's funny. The haughty look in her pictures hides a wicked sense of humor. I don't know that I can quite swallow all her stories as happening exactly as she tells them. She seems to have picked up on all the inside knowledge about the modeling business (and her own agency) almost as soon as she arrived, which seems unlikely for anyone, let alone a sixteen-year-old girl on her own in Manhattan. And she always has a witty comeback or smart aleck answer in any situation, which got not only a little tiresome but also seemed a little unlikely. Whether or not it all happened exactly as she claims, it makes for fun reading. It's also quite eye-opening. Even if I were gorgeous, twenty, and tall (none of which describe me in the least), I'd never want to be a model after reading this book.

Liberty for All?

Chains by Laurie Halse Anderson
5Q 3P; Audience: M/J

By all rights, Isabel and her sister should be free. That's what it said in Miss Mary Finch's will. But Miss Finch's nephew refuses to believe Isabel or even to read the will. To him, Isabel and Ruth aren't girls, they're money in his pocket. To their new owners, Master and Mistress Lockton, they are hands, feet, and strong backs. They certainly aren't people.

It is particularly galling to be a slave when all around you the talk is of liberty, freedom, and independence. In 1776, those words were on every American's lips, though some spoke them with passion and desire and others said them with scorn and fury. Isabel and Ruth are caught in the middle of the battle, in more ways than one. The Locktons are Loyalists, true to the British Crown and up to their eyeballs in plots to bring the upstart Patriots to their knees. Curzon, a slave in a Patriot household, coerces Isabel into spying for the rebels. It is the Patriots, he tells her, who will give the slaves their freedom. If she throws in her lot with them, the liberty she craves will be hers. It is not an easy decision. The Locktons are not kind masters. If she spies and is caught, she will pay in ways too horrible to imagine. She isn't concerned only, or even primarily, with herself. Ruth is only five and prone to fits. If anything happens to Isabel, who will care for and protect Ruth? Still, Isabel burns with the desire to be free. It is worth taking the risk.

With the stakes are so high, it is all the more crushing when Isabel is forced to realize that the Patriots' passion for liberty is limited. Despite their fine talk and promises, the freedom they seek does not extend to slaves. They will not help her, and they will not protect her. Has she put her life and her sister's in jeopardy for nothing?

Musings

It is easy to understand why this book was nominated for the National Book Award (Teen category). It is beautifully written. Anderson excels in both character and plot, and her writing is graceful and compelling. Isabel is feisty, strong, loving, rebellious, and determined. She is often afraid but always courageous. She's no paragon, which makes her seem all the more real. Mistress Lockton and Lady Seymour are two sides of a coin, one loathsome and one as good as the times allow her to be, and both evoked visceral responses. Images of Curzon stay with me, too, as I picture him first cocksure and confident and then diminished by betrayal and circumstances. Because these characters are so vivid, even readers who are neither fans of historical fiction nor interested in the historical period will be swept up in Isabel's story. Anderson has the wonderful ability to drop nuggets of information into her story in a way that never seems forced or obtrusive. I knew New York was important strategically, but I didn't realize what a hot bed of Loyalists it was or that a great fire destroyed much of the city. I certainly didn't know about the enticements both sides offered to slaves and indentured servants in order to coerce their support, nor how often those promises proved false. This book does, of course, present those promises from Isabel's point of view, and certainly not every army officer (or founding father) consciously used slaves' desire for freedom to their own advantage (consciously being the operative word here), with no personal regard for the slaves themselves. But Chains brought home to me forcefully and movingly the hope and heartbreak of having liberty so enticingly close, only to have it snatched away, as well as the irony of promising "liberty...for all" and giving it only to some.

I am glad that we will be hearing more about Isabel and Curzon in the future. I am not ready to leave them behind.

Reading Roundup, Part One

I'm still dragging around most of the books I said I was going to post about, so I'm going to do a couple of posts with two books at a time. It's always a little hard for me to do this, partly because I'm so long-winded and partly because I have to find books that share the same tags. I think these two go together pretty well.

Here's where I start wishing I were using stars or .5's or something. I enjoyed both of these books, but I'd give the edge to Suite Scarlett, even though I've given them both the same rating.

Suite Scarlett by Maureen Johnson
4Q 4P Audience: J/S

Maureen Johnson is another author I love to read. Although she has written some more serious books (Keys to the Golden Firebird comes to mind), it's her sense of humor that makes her stand out for me. If you haven't checked out her blog, you should remedy that soon!

Scarlett's family owns an historic hotel in New York City. While one might think that means they're rolling in the dough, nothing could be farther from the truth. The hotel rarely has more than a handful of visitors, and the family is barely making ends meet. That means they're very short-staffed. Well, actually, they're no-staffed. And that means that when each child in the family turns fifteen, they are given a room in the hotel to care for. Scarlett turns fifteen as the book opens, and she is given the Empire Suite, the hotel's showpiece guest room. It's not a room that's used often, but mere hours later, Amy Amberson, former Broadway actress arrives and takes the hotel by storm. Scarlett is at her beck and call for the summer. And trust me, Amy becks and calls a lot.

Scarlett's siblings play important roles in the book, so here's a quick rundown: Marlene, 11, is a spoiled rotten cancer survivor. She and Scarlett don't get along. Lola is pretty, charming, and the kind of older sister anyone would want to have. Spencer is the eldest, and he and Scarlett have a special bond. Spencer is a hugely gifted physical comedian, and it is his dream of being a professional actor which creates the events around which the book revolves. His "give me a year to see if I can become an actor" is just about up. If he doesn't get a professional gig within forty-eight hours, his parents are going to insist that he take the culinary school scholarship he has been awarded so that he can become the hotel's chef.

Well, Spencer does get a professional gig, sort of. Sure, it's Hamlet in a parking garage, not Broadway, but it's an acting job, right? And it pays. Sort of. Better yet, as far as Scarlett is concerned, his acting partner, Eric, is heart-stoppingly, breathtakingly gorgeous - and nice, too! And do those Southern boys know how to kiss!

When Spencer's group loses their rehearsal space, it's Scarlett and Amy Amberson to the rescue. Between trying to sneak the entire cast and a couple of unicycles into the hotel basement, shoplifting tuna, running a scam on an old rival of Amy's, and figuring out a way to get Eric to fall in love with her, it's a busy summer.

I smiled and laughed my way through this book. I also loved the relationships between Scarlett and Spencer and Scarlett and Lola. Scarlett-Spencer scenes are often just plain funny, but they are often very touching as well. There's a bonding/truth-telling scene between Scarlett, Spencer, and Lola towards the end that was perfectly pitched. (It also makes me wonder how Marlene could possibly be as bratty as she is, even given the "she used to have cancer, give her anything she wants" mindset of the family. I loved it when Scarlett called her out, though Scarlett is ashamed of herself.) Amy is a terrific character, too. She's a little over the top (she's an actress, after all!) and she's not as smart as she thinks she is, but her heart is in the right place. In fact, this book has heart written all over it. Read it when you want a book that makes you feel good. (And I hear there's a sequel coming. I'm there!)

(That was a short write-up? ::sigh:: I give up!)


How to Be Bad by E. Lockhart, Sarah Mylnowski, and Lauren Myracle
4Q 4P Audience: J/S

In a nut shell, this is a road trip book told in three voices. It won't keep pace with New Moon, Eragon, and Harry Potter, but I expect it to circulate very well. All three authors are very popular here.

When Jesse gets some devastating news about her mother's health, she has to get away for a while to process all the emotions she's trying to deal with. But she just can't bring herself to tell anyone what's going on. Not even Vicks, her best friend. So she manipulates Vicks into thinking that driving to Miami to see her boyfriend is a good idea. What Jesse doesn't know is that Vicks is wondering whether she even has a boyfriend now. He's been at college for two weeks and he hasn't called her yet. Is that how you treat your girlfriend of two years? She thinks not. Thing is, neither girl has any money to spare. On the other hand, Mel, the new girl at the Waffle House (where they all work), is loaded. She's also desperate for friends. So she ignores the obvious - that Jesse doesn't like her and that neither girl really knows her - and invites herself along. The deal: she pays for the food, the gas, and the accommodations. Jesse doesn't like it, but desperate times call for desperate measures. Mel is in.

What follows is some female bonding, a bit of sightseeing (the world's smallest police station and biggest alligator), a bit of breaking and entering, a bit of partying, and more than a bit of romance. There are also some tears, some fights, and some hugs. It all makes for a quick, light read, though this isn't just a frothy no-substance book. The girls each have issues that give the book some depth. Jesse needs to come to terms with her mother's illness and the way both of them have reacted to it. Vicks is convinced that her long-term boyfriend is ready for greener pastures, but she's afraid to confront the issue head on. As Jesse says, she'd rather run from a problem than deal with it. And Mel is so used to taking a back seat to everyone in her family that she doesn't know how to tell people what she's really feeling. She's also desperate to be liked, which leads her to make some questionable decisions, especially when a really cute boy is involved.

One other thing to note about this book: Jesse is a devout Christian, and she tries to live her life accordingly. Vicks is not at all devout, and she has a very different take on how to live a moral life. Despite this, the two are fast friends. They are accepting and supportive of each other, even while each may give the other grief on occasion for her beliefs or actions. Conservative Christians will probably appreciate that a like-minded character isn't portrayed as narrow-minded, as is fairly often the case.

My one minor quibble with the book is that I wanted to see Jesse deal with her mother and her illness, and that never happens. But even though I was left hanging a bit, I understand that the book is really about getting her to the point that she can face having that discussion, and that mission is accomplished.

If you like books about what it means to be a friend, if you like books about being in/falling in love, if you like books told with humor and heart, this is a book for you.

By the way, the other post I've had in draft mode for about three weeks now is The Disreputable History of Frankie Landau-Banks, also by E.Lockhart. That post will be finished (I swear!) within the next couple of days. You'll want to check that book out, too.

(Well! It only took me six days between the time I started this post and the day I finished it. I suppose that's an improvement of sorts!)

the dead & the gone - booktalk

the dead & the gone
by Susan Beth Pfeffer

The day that life as he knew it ended, Alex Morales didn’t have a clue. As far as he could tell, life went on just as it always did. He worked at the pizza shop, he worried about getting in to college, and his sisters were a pain. Yeah, he heard the sirens and saw the police cars and ambulances flash by, but in New York City, those were nothing new, even if it did seem as though there were more of them than usual. It wasn’t until he got home and the power went out that Alex vaguely remembered hearing something about an asteroid that was going to hit the moon. But nobody had been very excited about it. It wasn’t supposed to be a big deal. But it was. It changed things forever. That day, it was just Alex and Bri and Julie at home. His dad was in Puerto Rico for a funeral. His brother Carlos was with the Marines out in California. His mother had been called in to work at the hospital. He had no idea it would be weeks or months, if ever, before he’d ever see any of them again.

At first, things didn’t seem so bad. Mami had food in the house, and his uncle let him take more from his bodega. The blackouts weren’t a big deal. New Yorkers knew how to manage when the electricity went out for a few hours. But day after day went by with no word from Papi. Mami never came home, and the hospital couldn’t tell them where she was working or why she hadn’t called. As much as he hated the idea, Alex was in charge. Then the food began to run out. They couldn’t even get the news on the radio. The electricity went out for days at a time, and when it did come on, it was just for a couple of hours at best. There was no heat, not even outside, since ash from volcanoes blotted out the sun, pushing the temperature below freezing.

Things are getting desperate. When times get desperate, desperate people do desperate things. Things they never in their wildest dreams imagined they could do or would do. When everyone he loves and needs is dead or gone, when the world is falling apart, how is a seventeen-year-old supposed to take care of himself, let alone his sisters, one a religion-obsessed fifteen-year-old and the other a twelve-year-old spoiled brat? The answer is simple, but terribly, soul-destroyingly hard: he does what he has to do.

Someday This Book Will Be (Fill in the Blank) to You

Someday This Pain Will be Useful to You by Peter Cameron
4Q 3P S

Lots of librarians, reviewers, and bloggers are falling in love with this book. I confess that I remain at the same distance from it that its main character, James, stays from every other person in his life except for his grandmother. And that's at a pretty significant distance. I just couldn't fall in love with it in the same way that so many others have. But I do acknowledge that it's well written and I think it may be very popular with some teens, particularly those who like books like Perks of Being a Wallflower and Rats Saw God.

Reading Roundup, Part One

I am so far behind on posting about books I've read recently (as in, anywhere from five weeks to five days ago) that I'm just going to do a quick write-and-run on several of them in one or two posts. If I try really, really hard, I can do this in two paragraphs or less per book. (Gee, there's a game show in that somewhere: "I can write that blog review in 100 words or less. No, I can write it in ninety words or less." "Reading Fool, write that review!" Oh, who am I kidding? 100 words or less? Maybe a 100 lines or less!)


Diamonds in the Shadows by Caroline Cooney
3Q 4P M/J/S

The Finch family is playing host to a family of refugees from Africa, and Jared is not happy about it. He particularly doesn't like having to share his room and his life with the teenage boy, Mattu. But that soon becomes just background noise to all the other things going on: How can the father, Andre, get a job, when he has no hands? And why doesn't he have hands? Why do Andre and Celeste ignore Alake, their daughter? And why doesn't Alake speak or even look at anyone? What does Mattu have in that box he carries around? Is it really just ashes? And how come this family doesn't act like any other family Jared's ever seen? Nobody else seems to be thinking about any of this. Jared's sister, Mopsy, is delighted to have a sister to take under her wing, and Jared's mother is in her element helping the family get settled in America. But Jared's father is so preoccupied with embezzlement from a fund he was responsible for he barely comes home anymore, and when he is home, he isn't paying attention. Jared feels that he's the only person in his family who is seeing the situation with clear eyes. But Jared doesn't know the half of it. In particular, he doesn't know that there was a fifth African refugee on the plane. And he doesn't know that the Amabo family has something that that refugee wants very, very badly. And though he heard the Refugee Aid Society representative say, "In a civil war, there are no good guys," he can't begin to imagine what that really means until the truth begins to come out. When that happens, Jared's indifference and frustration turn from shock to horror to terror.

Cooney knows how to get her readers' attention and keep it. And without being too graphic, she makes clear the horrors so many people in Rwanda, Sierra Leone, and too many other places in Africa have experienced in recent years. She makes you feel for her characters, even when you don't necessarily like or admire them. However, I did find some aspects of the story a little hard to swallow. In particular, I don't for a minute believe that the adults (especially Mom) would overlook the signs that something is strange about the Amabo family, especially when the kids pick up on it almost immediately. (Conveniently, they then seem to forget it until the climax.) But I am willing to overlook that and a few other things because this is a book that puts events of global importance into a situation and words that teens can relate to without being overly preachy and without sacrificing tension and drama.


My Life, the Musical by Maryrose Wood (Advance Reader's Copy)
3Q 4P M/J/S

"There's No Business Like Show Business" Annie Get Your Gun, music and lyrics by Irving Berlin, book by Herbert and Dorothy Fields. Emily and Philip are best friends. Their friendship began in the line for the first preview performance of the soon-to-be smash hit Broadway show Aurora. Both were blown away by the show, and as a result, every Saturday morning for the past three years, they've taken the train to New York City to stand on the rush line to buy two tickets to the show. Over the years, they've gotten to know Ian, an aspiring actor, Stephanie, one of the dancers in the show, and all the other regulars on the rush line. Even Marlena Ortiz, the star, knows who they are. Their lives revolve around Aurora. Every English essay Emily writes is about Aurora. Philip keeps extensive spreadsheets on every possible aspect of the show. They even have their own Aurora chat room. They know every word and every note of the show. So they are naturally devastated one Saturday morning when Ian reports that he has it on good authority that Aurora is about to close. How can that be? It's still playing to packed houses! But one of their rush line cohorts soon sets them straight. The person Ian heard the rumor from is full of baloney and always has been. The show isn't closing. Whew! Except...the rumor is true. The show is closing. It's shocking! It's a tragedy! It's ...imperative that they see every single performance they can possibly afford to see from here until the ::sob:: end.

Intertwined with all that drama is more drama. There's the mystery of who wrote Aurora - the book writer/composer/lyricist has never revealed who s/he is, not even when the show won multiple Tony Awards. Then there's the problem of how to afford tickets to a Broadway show every week without committing a felony and the problem of how to appease your English teacher, who is sick to death of hearing about Aurora this and Aurora that. And then there's the problem of what to do about an absentee mother and a jerk of a brother who insists that you're gay. Yeah. That's drama.

This is the kind of book I wanted to read as a teenager. It's a book for every kid who has ever fallen in love with theater, whether they want to be the star, the stage manager, or the devoted fan. Even better, it's written by someone who has been there, done that. (I got the ARC by correctly answering the question "What cult musical did I [the author] appear in on Broadway?" A quick web search turned up the answer, and it was pretty cool to find out that we had a mutual acquaintance, since someone I knew was in the show too.) Do I think the book is a little over the top? Yes. But I wasn't reading it for realism. I was reading it for fun, and I got that in spades. I'm also glad that I got faked out a couple of times, since it's nice when you can't correctly predict everything that's going to happen in a book. In particular, I appreciated that the ending leaves a couple of things undecided. Life is like that, but books rarely are. And it's a fun conceit to have the chapter titles be apropos titles of songs from various Broadway musicals.

(So much for keeping it to two paragraphs!)

Life as you really, really don't want to know it

the dead & the gone by Susan Beth Pfeffer
5Q 3P J/S

You've got to love Bolivian hats. When they belong to Susan Beth Pfeffer, they hold the key to treasures. See, I'm one of the lucky few who have gotten their hands on an ARC (Advanced Reading Copy) of Susan Beth Pfeffer's next book, the dead & the gone, which will be available in June 2008, all because my email address (and a bunch of other people's) were tucked into that Bolivian hat. It wasn't pulled on the first round. It wasn't pulled on the second round (I pouted!). But it was pulled in the third round. Yay! Once it arrived, I had to wait until the moon was no longer full to start reading it. (If you've already read the companion novel, Life As We Knew It, you'll understand why.) Then I started to read the book. I have two prime reading times in my day: at lunch and just before bed. I soon realized this was not a book to read at either of those times. So I carved out some reading time this past Sunday morning and read the rest of the book straight through. When I finished, I could only say, "Whew!"

I'll say straight out that this is not an easy read. As tough as LAWKI was to read, at least Miranda has her mother with her. She's not in charge of keeping her family together, and she's got someone older to turn to for comfort (or to blame, as she sometimes does). In d&g, Alex has none of that, and because of that, this is an even more chilling read. (Yes, I use that word advisedly.)

Both LAWKI and d&g take place after an asteroid hits the moon, knocking it out of orbit and much closer to the Earth. The result: high tides, tsunamis, earthquakes, erupting volcanoes. Huge chunks of continents are washed away. Communications are disrupted, electricity is spotty at best, and food is scarce and getting scarcer. The sky is so full of ash that the sun's rays can't get through, so the temperatures keep falling and falling.

How do you stay alive in such a situation? Alex is only seventeen years old. His sisters, Brianna and Julie, are only fifteen and twelve. Their father is in Puerto Rico for a funeral, their mother was called in to work at the hospital, and their brother Carlos is with the Marines. At first he thinks he only has to hold things together for a couple of days. But that's before they learn that Puerto Rico was hit hard by the high tides. That's before days go by without hearing from Mami. That's before Carlos calls to tell them that the Marines are being deployed to help with the recovery effort. Soon Alex has to admit to himself that he's in charge, and likely to be so for a long time.

Alex is a scholarship student at St. Vincent dePaul Academy. He's the vice president of his class, president of the debate squad, and he has his eye on the editorship of the school newspaper. In other words, he doesn't shy away from responsibility. But being in charge of his two sisters and running the household is more than he bargained for. Bri isn't so bad. As long as she has her rosary beads and a Bible, she's happy. But Julie is a different story entirely. She's a whiny baby who drives Alex nuts. She fights with him about everything. Most of the time he wants to throttle her. But somehow, these three are going to have to work things out, because they're going to need each other. They don't have anyone else to count on.

At first, their situation doesn't seem so dire. New York City has powerful people who make sure that as many services as possible stay intact. Even the schools stay open. That's a mercy, since they also provide lunch for their students. That's one meal that Alex doesn't have to worry about. But how long can that relative safety last? Not nearly long enough. Brianna gets sick. The food shortages get worse. How do you stay warm when the temperature never gets above ten or twenty degrees? How do you keep your sisters safe when even people become commodities for trade?

What really got to me about this book was how callous Alex, his friends, and Julie have to become. One person's death is another's salvation. As the sense of impending doom got stronger and stronger, it was sometimes hard to keep reading. But what gave me hope was seeing how Alex shoulders his responsibilities and becomes a man. (It speaks volumes about Alex that people he thinks hardly know him reach out to him to offer the kind of help and support that truly means the difference between life and death.) And like Miranda in LAWKI, Julie also grows when the occasion demands it of her. As hard as they may be to deal with, her stubbornness and feistiness prove to be invaluable qualities. This is not a girl who is going to give up.

Faith plays such an important role in this book that it's practically another character. The Catholic church (in particular) is a source of strength, sustenance, and support. It's very fitting that Susan Beth Pfeffer is autographing these books with the words "Never lose faith." When all else fails, having faith in something or Someone may be the one thing that makes the difference between living and becoming one of the dead and the gone.

This is not a comfortable book to read. It's not for those who like cozy reads where everything turns out okay in the end. It's a book for those who want to see people rise up to meet challenges. It's a book for those who know that hard times can bring out the worst in people, but have faith that it can also bring out the best in them. When you finish this book and come up for air (and it will feel just like that), you will not leave this book thoughtlessly behind you. You will live with it, and it will live with you, for days and weeks and months. Like Life as We Knew It before it, the dead & the gone is a life-changing, perspective-altering book.

If you have not already found it, check out Susan Beth Pfeffer's blog. She may write about grim topics (see also The Year Without Michael, but she has a wonderful sense of humor. She has posted both a preview of a truly harrowing chapter of this book and a peek into the mind of an author as she plans her next (this) book.

Here's what I had to say about Life as We Knew It and my booktalk on it.

Edited on 5/2/08 to add a link to my dead & the gone booktalk.

VM=Very Malignant? (Code Orange booktalk)

Code Orange by Caroline Cooney
3Q 4P J/S

Mitty prides himself on doing as little as he can in school. It’s not that he can’t do the work. It’s just that he doesn’t see the point. So when his advanced biology teacher assigns a term paper on an infectious disease, Mitty has no intention of doing any research for it. He figures he’ll grab a few facts off the Internet, paste them into a document, and he’ll be done. He actually forgets all about the assignment until the week before it’s due. That’s when he gets a punch right in the solar plexus: if he doesn’t get a passing grade on this paper, they’re going to kick him out of the class. Mitty could care less about advanced biology, but he cares a LOT that it’s his only class with Olivia. So he figures he’d better knuckle down and get some work done on the paper. And he means to. Really, he does. But it’s the weekend, so he deserves a day or two of rest, doesn’t he? By the time Mitty decides to get to work, it’s late on Sunday. He’s staying at his family’s place in the boondocks of Connecticut, and he realizes he hasn’t brought a thing with him for research. The library is closed and there isn’t a bookstore for miles around. And he needs books, since his bio teacher is waaay out of touch with the real world and won’t let them use the Internet. Mitty remembers that his mother just brought home a load of old books from an auction where they were selling off stuff from some old doctor’s house. Luckily for Mitty, the doctor had a couple of books on infectious diseases. As he starts to page through one of them, he finds a sealed envelope marked “VM – 1902” tucked between two of the pages. Inside it are a couple of scab-type things. The books are so dusty, Mitty starts to sneeze. One of the scabs crumbles in his fingers, disintegrating into dust.

It isn’t until a day or two later that Mitty realizes what he held in his hands: VM=variola major, otherwise known as smallpox, one of the most infectious diseases ever known to mankind. Millions died in agony from it. When Mitty sneezed, the scab that crumbled almost certainly got into his lungs. What if it contained active virus? What if he’s a walking time bomb, passing smallpox on to everyone he knows, including his parents and Olivia? Should he tell someone? But what if he’s not infected? He’ll look like a fool. What if he is infected and someone else finds out? What if that someone wants to infect thousands of people?

Finding the Joy: Becoming Chloe (booktalk)

Becoming Chloe by Catherine Ryan Hyde
4Q 3P S


Jordy just wants to sleep, but between the throbbing in his head and the grunts of the couple having sex outside, it’s not happening. Who’d want to have sex lying on filthy cold concrete? Then again, he’s only been in the city a few days, and already he’s seen worse. Still... he peeks out the window. There are three more pairs of feet circling the couple on the ground. This isn’t sex. It’s rape. He doesn’t want to call attention to himself, but he can’t ignore the situation. Deepening his voice, he yells, “I called the police!” Will they run or will they come after him? A police siren shrieks nearby. They scatter. The girl calmly picks herself up, looks for her missing shoe, and climbs through the open window into the cellar, her jeans dragging on one leg behind her. All she says is “hi.” “Are you ok?” Jordy asks. “Oh. Me? Yeah. Sure. Sure. I’m fine.” Jordy doesn’t get it. She’s just been raped, but she doesn’t seem to care. Is she loaded? Is she not smart enough to know what just happened? Jordy, meet Chloe. Chloe, meet Jordy.

Jordy can’t figure Chloe out. On the one hand, she’s childlike and seems incapable of understanding even the most basic things. But when the gash on his forehead and the bite in his hand become infected and he’s too sick to move, Chloe somehow has the smarts to get him antibiotics and a doctor who will help him. Jordy wonders how she can be so slow, yet so smart. The doctor can only guess: “Maybe she doesn’t want to understand things she doesn’t think she can change anyhow.” Jordy asks, “So, could she get better? If someone made her feel safe and took care of her?” The doctor replies, “A better question would be, Does she have anybody in her life who cares enough to do all that for her?” Jordy has enough on his plate right now, just trying to survive on his own. And he’s gay, so it’s not like there’s any attraction. But yes. He doesn’t know why, but he cares. He does whatever it takes, including hustling, to care for Chloe and keep them together.

For a while, things are okay. For a while, they’re even pretty good. Maybe that’s the problem. When things are really bad, Chloe coped by understanding as little as possible. But now she’s beginning to feel safe and cared for, and that isn’t working for her anymore. She’s seeing more, understanding too much. Jordy realizes she’s thinking that maybe she no longer wants to live in a world like this. She doesn’t believe it’s a nice place. Jordy tells her he’s not sure if it’s a nice place, but he knows for a fact that it’s beautiful. She doesn’t believe him. He realizes that nobody has ever shown her what a beautiful world it is. She doesn’t even recognize beauty. He makes her promise: if he can convince her that the world is a beautiful place, she’ll promise to stay in it.

This is ultimately a book about hope. It’s about finding the joy and the beauty in life. Not just in the big, obvious things, like climbing to the top of a mountain or seeing the Grand Canyon, but in the little things, like a flying bird, flowers by the side of the road, someone offering a bike or a cold drink of water. Jordy realizes it isn’t just Chloe who needs to understand that. He needs to, too: I look around, breathe, close my eyes... Then I look around at the view again. And I realize that for all the joy we've seen so far, I've allowed it all to remain outside of me. It's always been over there. Look, over there. Some joy just went by. A little more just flew by. And when I realize that, I let it into me. And I become the joy. Just for a split second, I think I do.

Whenever I think about this book, it makes me remember to look for the beauty and find the joy.

The Good Old Days weren't all that good

Bowery Girl by Kim Taylor
5Q 3P J/S

Another post brought over from my old LJ blog. Not everyone would agree that this book is appropriate for junior high school kids, but I think most eighth graders can handle the harshness and grim realities it presents.

I hope the fact that this is historical fiction doesn't keep teens from reading it. This is a book that immerses you in the sights, smells, and feel of a different time. I was a little surprised at the sometimes-rough language, but it's entirely appropriate to the lives these girls live.

It's February, 1883, and Mollie Flynn is on her way to The Tombs. Her roommate, Annabelle Lee, is finally being released from prison after serving her sentence for prostitution. Mollie is thrilled to see her, but she's not thrilled about Annabelle's condition: pregnant. How can a pregnant prostitute make any money? And Mollie and Annabelle need money, more than Mollie can make alone with her pickpocketing skills, good as they are. Their apartment isn't much, just one small room without running water or a toilet. But it's theirs. They've been homeless before, and Mollie is damned if they're going to be homeless again. So she's been borrowing money from Tommy, Annabelle's pimp/lover. How will they earn the $20 they owe him (an enormous sum in those days)? Life soon settles back pretty much to normal. Annabelle isn't showing much yet, so she still gets a few customers. Mollie picks a few pockets. They hang out at the saloon with Tommy, Seamus, Mugs, and Hugh, drinking beer mixed with benzene and getting mixed up in brawls with rival gangs. They watch the rat fights. They watch the Brooklyn Bridge being built and dream of making enough money to move to Brooklyn one day. They try to survive.

Life in the Bowery is dirty, rough, and backbreakingly hard. Forget trying to move up in the world. This was a time when most people who had money felt that those who didn't had nobody to blame but themselves for their condition. They didn't work hard enough. They were immoral and therefore deserved to live a wretched life. They were shiftless, lazy, and Irish (or Jewish, or Polish, or some other ethnic group), so what could you expect from "them"? But this was also the time when the idea of social work was just beginning, and there were some people, often women, who started settlement houses that were designed to give the poor and the immigrants skills that would enable them to make money without resorting to thievery, prostitution, gambling, and other criminal pursuits. The houses offered job training, gave basic education (reading, writing, math), hygiene classes, and tried to give their clients the tools they needed to make a better life for themselves.

For Mollie, when Emmeline DuPre opens her settlement house, it's a threat. What does this do-gooder want? Why can't she go away and leave them alone? Mollie doesn't want her charity, and she doesn't want to be beholden to anyone. But Annabelle doesn't feel the same way. She wants to learn to read, and she wants something better for herself and her baby. Because Annabelle begins to go to the settlement house, so does Mollie. While Annabelle learns to read and write, Mollie begins to learn to type. Maybe she can get a job as a typist and earn an honest $3 a week. Mollie laughs at the thought. She can make $3 a day, when the pickings are good, and Annabelle could make more than that. But then Mollie, who still owes Tommy that $20, gets involved in a robbery gone horribly wrong. Suddenly the honest $3 a week and the safety of the settlement house begins to sound a lot better.

Life in 1883 was hard, and this book reflects that. It doesn't end with Mollie and Annabelle and the baby in a cozy little Brooklyn apartment, looking forward to the wonderful life now ahead of them. It's more realistic than that. It left me thinking about Mollie and Annabelle and wondering what life was like for my own relatives, who also lived in New York about this time period. (Fortunately, I don't think any of them ever had to resort to things Mollie and Annabelle and the gang resort to.)

Absolutely DROWNING in spies! (KIKI STRIKE)

Kiki Strike: Inside the Shadow City by Kirsten Miller
4Q 4P M/J


Of all the girl spy books, this is the one that's getting the notice and getting the raves. Maybe I'm more lukewarm on it than others because it was the third in the genre that I read pretty much right in a row. It's a good idea to mix things up a little so that books stand out from each other and things don't run together so much, and I didn't do that well this time. There is a lot to like about this book. It's just that it didn't stand out for me the way I expected it to after hearing so many excellent reviews of it.

Ananka Fishbein 's life changes the day she looks out the window of her New York City apartment to see that a sinkhole has appeared in the park next door. She also sees a small figure crawling out of the hole. The small figure turns and waves to her. It's a girl! Ananka has to know more about that girl and the sinkhole. She runs downstairs to explore the hole and discovers a hidden door that she eventually learns leads to the Shadow City. What's the Shadow City? It's a city of passages, tunnels, and secret rooms that lead all over the city. What's down there? Dead bodies, rats (big ones!), and treasure. But Ananka doesn't learn any of that until she discovers who the girl is: Kiki Strike.

Kiki, it turns out, is a student in her own school, but Ananka has never noticed her before. That's a surprising, because Kiki has the kind of looks that make her stand out in a crowd: she's only about four feet tall (but she's at least fourteen) and she has absolutely white hair. She also carries herself with a confidence few other teens can match. Kiki soon introduces Ananka to several girls with unusual talents: there's Betty (a master of disguise), Luz (an electronics genius), Dee Dee (a chemist who's great at explosives), and Oona (an excellent forger and thief). Together they form the Irregulars, and together they explore the Shadow City. All of those unusual skills come in very handy when you're doing something you don't want anyone else to know you're doing.

But Kiki has secrets she isn't telling the others, and when one of their explorations ends in disaster, Kiki disappears and the Irregulars break up. But that's not the end of the story. Ananka keeps getting glimpses and information that lead her to believe the Kiki hasn't gone far. Two years later, Kiki is back, and this time, things are serious. Kiki doesn't need them just to map out and explore the Shadow City. This time, teenage girls are disappearing, and the Irregulars know why and what the kidnappers want. They also know they have the means and skills to get the girls back and stop the kidnappers. But they don't know everything. And they most definitely don't know everything they need to know about Kiki Strike.

This book is chock full of girl power and advice for would-be spies that just happens to be potentially useful in real life, too. Check out the end of most of the chapters for items such as:

"The Benefit of the Doubt: Most people are willing to give young girls the benefit of the doubt. Girls are too sweet and innocent, they think, to be up to no good. A clever story--generally one involving a missing kitten--can get you out of trouble in nine out of ten situations. Remember, a tear or two will make any tale more believable." (page 16)

"Duct Tape: Take a roll with you whenever you travel. It can be used to immobilize criminals, fix essential equipment, and make a cute skirt if you're in a bind." (page 86)

You've got to like a book that can mix strong characters, a sense of humor, and adventure and do it well. This book does. Really. I admit it, it's not ever going to be on my favorite books list, and it's not likely to wind up on my Top Five or Top Ten of 2006 list (as it has appeared on others' lists already). But I will happily recommend it to readers who enjoyed the Sammy Keyes books and to kids who like interesting characters doing interesting things.