Thrills and Chills, Steampunk Version

The Hunchback Assignments by Arthur Slade
4Q, 3P; Audience: M/J

Modo started his life on display as a freak in a side show. Was he rescued by Mr. Socrates, or was he merely taken from one bad situation and thrown into a new one almost as bad? What kind of savior would keep him locked up in two rooms of a house for years with only a housekeeper and a fight trainer for companions? What kind of savior would take him out of that situation, only to abandon him on the streets to see if he can fend for himself at the ripe old age of fourteen? Mr. Socrates, it turns out, has big plans for Modo, assuming he can pass this heartless test.

For some readers, it will come as no surprise to learn that Modo, born in the shadow of Notre Dame cathedral, has a humped back and a misshapen face. But Modo is not destined to become a bell ringer. Modo has the extraordinary ability to move the bones and muscles of his face and body into new configurations for a short time, to transfigure himself into the likeness of someone else. With that skill as well as the education and training he received in his years of isolation in Mr. Socrates's mansion, what will happen when a mysterious young woman hires him to learn more about her brother's association with the mysterious Young Londoners Exploratory Society?

What happens is far more than Modo or Octavia (the young woman) bargained for, leaving them fighting for their lives and the survival of their country against enemies that are both truly mad and absolutely ruthless. To make matters worse, it's not at all certain that Mr. Socrates and the organization he represents are any better.

Musings:

Like Leviathan, this belongs to the growing list of YA steampunkNonstop action, moments of violence, tinges of gore, and horrifying hybrid human-machines (courtesy of a familiar mad Dr. Hyde) give this book sure appeal to boys who are willing to look past a cover that screams historical fiction. The villains are creepy and chilling (the image of a metal finger poking Modo's eyeball is hard to get rid of), and the aura of menace surrounding them is nearly tangible. Modo and Octavia are likable, resourceful characters, and the occasional bantering between them offers a welcome lightening of the mood. Where the book faltered a bit for me was in the revelation of the actual intentions of the villains. It felt a bit like an afterthought and the execution seemed a little rushed. But by that time, I was so invested in the characters and setting that the relatively weak payoff didn't get in the way of my enjoyment. Nothing in this book actually promises a sequel, but there are definitely strong hints that this is intended as a series. If that's true, I would happily read the next.

The website for the book looks like fun to poke around in. I enjoyed the Victorian factoids on the Steamtrunk page. Interesting difference between the Canadian/Australian and US covers. I think the US cover is more atmospheric, but the Canadian/Australian cover is probably more appealing to kids and teens.

Don't Read This One in the Dark of Night

Bliss by Lauren Myracle
4Q 4P; Audience: J/S

I'm actually not quite finished with this book, but it's Halloween, and that makes it the right day to post about it. A big part of the reason I haven't finished it yet is because I read a lot at night, especially once I'm in bed for the night. Well, I've gotten to the point in this book where I'm frankly afraid to read it within an hour or two of trying to fall asleep. The tension has been building and building, and I'm expecting a Carrie moment any time now. I'm a little twitchy and I'm discovering it's pretty hard to read when you're trying to avert your eyes from the page because you're dreading what you're about to see. In other words, Lauren Myracle has done a terrific job setting her scene.

Bliss IntheMorningDew has recently arrived in Atlanta to live with her grandmother. It's a far cry from the hippie commune she grew up in in California. Going to school is a new thing for her, let alone a preppy private school. But she actually finds it surprisingly easy to fit in. She even makes friends quickly, leading her to wonder which two of these girls might be the ones that her psychic friend from the commune told her she foresaw in her future. Even though Flying V warned her that the vibes aren't entirely positive, Bliss isn't at all thrown. Bliss herself has had occasional contacts with the other side, and they don't frighten her. No, Bliss is determined to make the most of her new situation, and making friends will be a welcome part of that. Flying V saw her caught between two girls, but doesn't that just mean she'll have at least two friends? Isn't that a good thing?

Bliss's commune upbringing has produced a strange blend of innocence and knowingness in her. She's not unfamiliar with sex, Grateful Dead concerts, and 'shrooms, but she has been sheltered in other ways. She expects life to be as uncomplicated as it is in Mayberry with Andy Taylor and Opie. It's not. Moving from the commune to Atlanta is eye-opening. She's grown up side by side with people of different races and it's never been important before. But Atlanta has the Klan and the school has one token black student ("so they can't force integration on us"). Everyone likes Lawrence - as long as he doesn't try to get too familiar. It makes no sense to her. Why is it such a big deal that he's black? But it clearly is a big deal, as becomes apparent when she catches Lawrence and Sarah Lynn, the most popular girl in the freshman class, in a clinch. Bliss also doesn't know anything about cliques and social groups, so she sees no problem in befriending Sandy, the school outcast. While her other friends don't exactly give her a hard time about that, it's clear they disapprove. She's okay with that. People with her background don't worry much about what others think. But Bliss has no clue how much danger she's inviting into her life when she ignores her new society's conventions.

Bliss's new school has a history. Rumor has it that a girl who lived there when the school was a convent jumped from a third-floor window of one of the campus buildings. "Some say you can still see the blood stains on the pavement" a student mentions casually. Bliss's sympathy for the poor girl turns to something else entirely when she realizes that she hears a voice...the girl's voice?...in her head whenever she passes by that building. And she does not like what she hears. The voice is insistent, demanding, and clearly evil.

Interspersed throughout are handwritten pages from S.L.L.'s journal. Just a little odd at first, the journal entries soon take a decidedly sinister tone. As we read on, it becomes clear who S.L.L. is and how her journal entries fit into Bliss's story. And that's when the creep factor started ratcheting up for me. Reading on and waiting for Bliss to catch on too has been like watching a mouse sniff its way to cheese and start to nibble. You know it has no idea that the cheese is attached to a trap that's about to snap its neck in two, and you want to look away before it gets caught. That the Tate-LaBianca murders committed by the Manson Family is a thread woven throughout the book does nothing to lessen this sense of dread. I don't have to finish the book to know that when the trap snaps, Bliss is going to be well and truly caught in it, and what happens next is not going to be pretty.

I have read that there is a link between this book and Myracle's Rhymes with Witches. If I'm not too unnerved when I finish this book, I'm going to have to check that one out. But I don't think I'm going to want to read that one late at night in the dark either!

So, What's Your Secret?

The Black Book of Secrets by F. E. Higgins
4Q/4P M

My library has this in its children's collection (which technically is for Pre-K to grade 6), but I think it's more a middle school (grades 5-8) book. I finished the book while in bed. Just before I fell asleep, I wrote a one-paragraph summary I really liked. But it was all in my head, and naturally, I can't remember a word of it now! But as I said in a previous post, because I read this while on leave, I'm confining my review to just a short summary and a reaction paragraph.

When Ludlow realizes that his drunkard parents intend to have his (perfectly good) teeth pulled out so they can earn a few pence for more drink, it's the last straw. He's determined to get out of their clutches for once and for all. He escapes his squalid life by catching on to the back of a coach leaving the city. The coach belongs to a despicable man named Jeremiah Ratchet, and its destination is the small village of Pagus Parvus. Ratchet has made the lives of the villagers miserable by sucking them dry of nearly every penny they earn. After stealing Ratchet's scarf and mittens, Joe meanders up the hill, where he discovers that he is not the only newcomer. Joe Zabbidou has also just arrived in town. He intends to open a pawn shop in a building on the outskirts of the village. Joe welcomes Ludlow in. In fact, Joe is a very welcoming sort. He takes all sorts of things in trade, even the most worthless (a chipped chamber pot, anyone?). But every now and then, Joe will look at a customer and ask if he'd like to stop by for a visit later in the day...say about midnight? And when they come (as they always do), Joe greets them with a drink and a question: Do they have a secret they'd like to share? They do, always. And they are dark secrets, involving murders, grave robbing, thievery, and the like. It is Ludlow's job to record these secrets in Joe's black book of secrets. It becomes clear that the villagers hope that Joe, who has helped them in so many other ways, will also help them deal with Ratchet, but Joe steadfastly refuses to do so. Ludlow can only watch and wonder what Joe's intentions are. What does he do with the secrets he records? He pays handsomely for those secrets, but where does the money come from? And if he doesn't intend to help the villagers, why is he there?

This is an entertaining read, and I think it will get good word of mouth. But the imagery is vivid, and kids who are squeamish or prone to overactive imaginations may find it disturbing in spots. On the flip side, kids who like dark, creepy books will love the more sinister, grosser aspects of it. Higgins balances the dark with a tendency to go slightly over the top at times, especially with Ratchet, so just when things might be getting a little too horrific, there's a passage that can't be taken too seriously to lighten things up again. Ludlow is an appealing character, and Joe is an intriguing blend of mystery and simple(?) goodness. Higgins's ability to build tension worked for me as a reader, but also as a key plot element as the villagers get restless waiting for Joe's hatchet (so to speak) to fall on Ratchet. The ending is a bit of a stretch, but with the exception of one element of it, not surprising. After all, with books like this, it's pretty much a given that there's a book two in the works. Will I read the next one? It's not going to be on the top of my list, but I wouldn't be surprised if I checked it out at some point.

Predator or Prey?

Tantalize by Cynthia Leitich Smith
3Q 5P J/S

Among the reviews I'm more or less giving up on (see previous post) is one on this book, which I had mixed feelings about. Interesting characters, intriguing setting (a vampire-themed restaurant in the middle of Texas?), a cup of murder, a dash or two of romance, a pinch of humor, and some seasonings you don't find in your typical recipe...I mean book!...those would seem to be the ingredients of a terrific read. It's gotten really good buzz on the blogs I read, but when I finished the book, I wasn't really sure how I felt about it. I'm still not sure. It's not so much a liked it/didn't like it dilemma. It left me feeling...unsettled, I guess, and a little creeped out. I've read other vampire/werewolf books and liked them, even though it's not my favorite genre, so that's not what got to me. This one had an element or two that made me more uncomfortable after I read it than while I was reading it, and I guess that's what's throwing me. Anyhow, I can't wait to hear what my patrons think of it, and if you're reading this and have read it, please tell me what you thought of it.

You can find information and other bloggers' thoughts about Tantalize

on the author's web site

and

on Required Reading (This site has a review of the book and a "Five Lists of Five" interview with Smith that I enjoyed reading. Gotta like her taste in vampires and authors!)

and

on Bookshelves of Doom

and

on Talking Teen Books

What's the buzz on this mosquito?

The Hand of the Devil by Dean Vincent Carter
3Q 4P J

Warning: If you are easily grossed out, think twice about reading this book. On the other hand, if your idea of a good time includes reading about decaying corpses and (very) bloodthirsty monsters, step into my parlor, said the mosquito to her next victim.

Ashley Reeves is a young journalist who works for a magazine called Missing Link. It's his job to investigate weird sightings of strange animals (among other strange things), even though they usually turn out to be hoaxes. He's not expecting anything different when he gets a letter in the mail from a man named Reginald Mather, who invites him to come see his specimen of the Ganges Red mosquito, claiming it is the only one of its kind. The letter seems genuine, and Ashley is intrigued. A few hairs on his neck do quiver a bit at a couple of things in the letter (why must he come so quickly? Why is he not to tell anyone?), but the story sounds too promising to pass up. He's on his way in hours.

Mather lives on Aries Island, so when Ashley arrives at the nearest train station to his destination, he must rent a boat to get to the island. The man he rents the boat from is an old crab, and the boat itself looks barely seaworthy. He's not a particularly expert boater, which is all the more a problem when a sudden fierce storm whips up as he crosses the lake to the island. He crashes the boat on a rock. It quickly starts to sink, and Ashley has to swim to shore. Almost as soon as he drags himself up on the beach, his cell phone rings. Once. Then it sputters and crackles and dies. Great. Now he has no boat to get home and no way to communicate with anyone off the island. If you think this is the kind of thing that should make him think "Bad omen! Go back!", you're right. But Ashley isn't thinking along those lines. Yet.

Mather turns out to be an odd sort of man. And is he really living alone on the island, as he says? Because as Ashley comes up to the house, he's sure he hears a female voice saying, "He's here!" But no, Mather swears he lives alone. He is a gracious enough host, offering to let Ashley stay the night and preparing some hot tea for him. But he is also strangely reluctant to let Ashley see the Ganges Red, telling him it isn't a good idea to disturb her after she's recently fed. Instead, he suggests that he read Her Story. The book is rather ghastly, featuring a series of stories about a fabled creature called The Devil's Hand. The illustrations feature a giant mosquito, quite large in size, attacking one or more screaming people, including Roman centurions, Saxon Britons, early Europeans, and various other cultures. Ashley can only hope that this Devil's Hand has nothing to do with the Ganges Red.

No such luck.

Over the next few days, Ashley will discover the following things:

• The Ganges Red, or "The Lady", as Mather calls it/her, is a giant mosquito. Her wingspan alone is over eight inches.
• Mather is rather desperate that he not explore the rest of the island or take any pictures
• Mather seemingly has no intention of letting him off the island
  
• Mather is quite, quite mad
• The Lady is very, very hungry
  

I'm not kidding here. This book gave me the creeps more than once. Carter doesn't shy away from describing gross and truly horrific events, and sensitive readers should beware. He also does a great job building up the suspense. He's very good at the creepy moment/lull/creepy moment/lull/crescendo method of creating tension. Though at times some of the characterizations and dialog are a little over the top, it can be overlooked. Teens who have an itch to move past R.L. Stine will probably suck ever morsel of bloody horror from this book and savor it to the very last drop.

(Sorry. I couldn't resist.)