Reading Roundup, Part One

I'm still dragging around most of the books I said I was going to post about, so I'm going to do a couple of posts with two books at a time. It's always a little hard for me to do this, partly because I'm so long-winded and partly because I have to find books that share the same tags. I think these two go together pretty well.

Here's where I start wishing I were using stars or .5's or something. I enjoyed both of these books, but I'd give the edge to Suite Scarlett, even though I've given them both the same rating.

Suite Scarlett by Maureen Johnson
4Q 4P Audience: J/S

Maureen Johnson is another author I love to read. Although she has written some more serious books (Keys to the Golden Firebird comes to mind), it's her sense of humor that makes her stand out for me. If you haven't checked out her blog, you should remedy that soon!

Scarlett's family owns an historic hotel in New York City. While one might think that means they're rolling in the dough, nothing could be farther from the truth. The hotel rarely has more than a handful of visitors, and the family is barely making ends meet. That means they're very short-staffed. Well, actually, they're no-staffed. And that means that when each child in the family turns fifteen, they are given a room in the hotel to care for. Scarlett turns fifteen as the book opens, and she is given the Empire Suite, the hotel's showpiece guest room. It's not a room that's used often, but mere hours later, Amy Amberson, former Broadway actress arrives and takes the hotel by storm. Scarlett is at her beck and call for the summer. And trust me, Amy becks and calls a lot.

Scarlett's siblings play important roles in the book, so here's a quick rundown: Marlene, 11, is a spoiled rotten cancer survivor. She and Scarlett don't get along. Lola is pretty, charming, and the kind of older sister anyone would want to have. Spencer is the eldest, and he and Scarlett have a special bond. Spencer is a hugely gifted physical comedian, and it is his dream of being a professional actor which creates the events around which the book revolves. His "give me a year to see if I can become an actor" is just about up. If he doesn't get a professional gig within forty-eight hours, his parents are going to insist that he take the culinary school scholarship he has been awarded so that he can become the hotel's chef.

Well, Spencer does get a professional gig, sort of. Sure, it's Hamlet in a parking garage, not Broadway, but it's an acting job, right? And it pays. Sort of. Better yet, as far as Scarlett is concerned, his acting partner, Eric, is heart-stoppingly, breathtakingly gorgeous - and nice, too! And do those Southern boys know how to kiss!

When Spencer's group loses their rehearsal space, it's Scarlett and Amy Amberson to the rescue. Between trying to sneak the entire cast and a couple of unicycles into the hotel basement, shoplifting tuna, running a scam on an old rival of Amy's, and figuring out a way to get Eric to fall in love with her, it's a busy summer.

I smiled and laughed my way through this book. I also loved the relationships between Scarlett and Spencer and Scarlett and Lola. Scarlett-Spencer scenes are often just plain funny, but they are often very touching as well. There's a bonding/truth-telling scene between Scarlett, Spencer, and Lola towards the end that was perfectly pitched. (It also makes me wonder how Marlene could possibly be as bratty as she is, even given the "she used to have cancer, give her anything she wants" mindset of the family. I loved it when Scarlett called her out, though Scarlett is ashamed of herself.) Amy is a terrific character, too. She's a little over the top (she's an actress, after all!) and she's not as smart as she thinks she is, but her heart is in the right place. In fact, this book has heart written all over it. Read it when you want a book that makes you feel good. (And I hear there's a sequel coming. I'm there!)

(That was a short write-up? ::sigh:: I give up!)


How to Be Bad by E. Lockhart, Sarah Mylnowski, and Lauren Myracle
4Q 4P Audience: J/S

In a nut shell, this is a road trip book told in three voices. It won't keep pace with New Moon, Eragon, and Harry Potter, but I expect it to circulate very well. All three authors are very popular here.

When Jesse gets some devastating news about her mother's health, she has to get away for a while to process all the emotions she's trying to deal with. But she just can't bring herself to tell anyone what's going on. Not even Vicks, her best friend. So she manipulates Vicks into thinking that driving to Miami to see her boyfriend is a good idea. What Jesse doesn't know is that Vicks is wondering whether she even has a boyfriend now. He's been at college for two weeks and he hasn't called her yet. Is that how you treat your girlfriend of two years? She thinks not. Thing is, neither girl has any money to spare. On the other hand, Mel, the new girl at the Waffle House (where they all work), is loaded. She's also desperate for friends. So she ignores the obvious - that Jesse doesn't like her and that neither girl really knows her - and invites herself along. The deal: she pays for the food, the gas, and the accommodations. Jesse doesn't like it, but desperate times call for desperate measures. Mel is in.

What follows is some female bonding, a bit of sightseeing (the world's smallest police station and biggest alligator), a bit of breaking and entering, a bit of partying, and more than a bit of romance. There are also some tears, some fights, and some hugs. It all makes for a quick, light read, though this isn't just a frothy no-substance book. The girls each have issues that give the book some depth. Jesse needs to come to terms with her mother's illness and the way both of them have reacted to it. Vicks is convinced that her long-term boyfriend is ready for greener pastures, but she's afraid to confront the issue head on. As Jesse says, she'd rather run from a problem than deal with it. And Mel is so used to taking a back seat to everyone in her family that she doesn't know how to tell people what she's really feeling. She's also desperate to be liked, which leads her to make some questionable decisions, especially when a really cute boy is involved.

One other thing to note about this book: Jesse is a devout Christian, and she tries to live her life accordingly. Vicks is not at all devout, and she has a very different take on how to live a moral life. Despite this, the two are fast friends. They are accepting and supportive of each other, even while each may give the other grief on occasion for her beliefs or actions. Conservative Christians will probably appreciate that a like-minded character isn't portrayed as narrow-minded, as is fairly often the case.

My one minor quibble with the book is that I wanted to see Jesse deal with her mother and her illness, and that never happens. But even though I was left hanging a bit, I understand that the book is really about getting her to the point that she can face having that discussion, and that mission is accomplished.

If you like books about what it means to be a friend, if you like books about being in/falling in love, if you like books told with humor and heart, this is a book for you.

By the way, the other post I've had in draft mode for about three weeks now is The Disreputable History of Frankie Landau-Banks, also by E.Lockhart. That post will be finished (I swear!) within the next couple of days. You'll want to check that book out, too.

(Well! It only took me six days between the time I started this post and the day I finished it. I suppose that's an improvement of sorts!)

Maximum Rid-iculous

Maximum Ride: The Final Warning by James Patterson

2Q 4P Audience: J/M (sorry, Mr. Patterson, you may be marketing these to adults first now because "the sales are better that way", but they are NOT adult books)

Wow. Wow. Okay. I don't usually pan books here. I'd rather write about books that are worth the time it takes to write about them. But I'm making an exception for this one, which I just finished reading during my dinner break. Patterson churns out a book every other month, or so it seems. He must take all of two or three months to churn them out. I think he might have wanted to spend just a bit more time on this one. Maybe he's such a big star that his editor is a little afraid to tell him that he needs to go back to the keyboard and try again. I can't think of any other reason for a book this weak from such an established author.

The first two Maximum Ride books weren't literary masterpieces. But they were (very) light, quick, fun reads. The premise (human children genetically altered to become a human/bird hybrid and constantly on the run from those who would use and/or abuse them) is intriguing. There was an internal logic to the story, and the characters, particularly Max, work. Patterson did a terrific job with cliff hangers at the end of every chapter. All of this made the first two books in the series easy to recommend, especially to kids who don't like to read. Yes, the events are more than a little improbable, but that's part of the fun. The third book in the series slipped a bit, though it was still a decent read. But this one... yeesh!

After book three, Patterson really didn't have a place to take this story and his characters, but he decided to write a fourth (and there will be more) book anyhow. That meant coming up with a way to keep the story going. Throwing out even the slightest of connection to reality and good science, the kids (and Total, the dog) are all randomly generating new mutations. This occurs practically overnight, and with the exception of Gazzy's, the mutations have not a hint of a relation to any talent/mutation they have already exhibited. They also don't seem to have any particular importance to the story, so they seem even more gratuitous by the end of the book. Scientific principles are tossed by the wayside elsewhere as well. For instance, Category five hurricanes smash storm-proof windows, yet the Flock can fly in those winds without being torn to pieces. (Apparently all they need to do, as Max's Voice tells her, is to "Go with the flow" Yeah. Right.) I'm also wondering how an eighty pound weight can fall from a great height at great velocity and land on a girl who weighs less than a hundred pounds without breaking most of the bones in her body. Okay, the science in this science fiction series has been a weak link all along, but these are examples of events that stretch credulity past the breaking point. Call it fantasy or call it science fiction, it still needs to have internal consistency. And in good science fiction, basic laws of science aren't broken merely to advance the story.

Then there are the villains. Naturally, they pop up everywhere the kids go. The major villain has absolutely no relation to anything that's gone before. That's not terribly unusual in a sequel, I suppose. But since he's some sort of mutant or construct, it might have been a good idea to tell us where he came from and how he got to such a position of power. It certainly seemed to me that he's just the kind of hybrid that all the villains in the previous books wanted to get their hands on. He's got the power and intelligence to create his own little Frankensteins. How did he get to this position? Wouldn't he have been hounded and chased in the same way the Flock has been? Why is he so eager to exploit the kids instead of being on their side? We don't know, because he's such a two dimensional character.

Patterson has AN AGENDA with this book. See, there's this thing called global warming. And it's bad. It's causing all kinds of disastrous things all around the world. But some people don't believe it exists and other people think it's not a serious issue. These people must be convinced that global warming is bad. How to do this? Hmmm...how about I frame this book around the issue? Patterson does this with all the subtlety of a right hook to the jaw, followed by an upper cut. Max is a doubter. She thinks it's a good thing that the weather is a little warmer. How bad could a one degree change in temperature be? Well, Max, I'm glad you asked. Let me tell you. And tell you. And tell you. Not only is Max thoroughly convinced in the end, she winds up lecturing Congress about it. Umm. Yeah.

Put aside all those problems for a moment. The main issue here is that the writing is just plain bad. There are improbable coincidences that scream of "I've written myself into a corner. How can I possibly get myself out of it?" Or, worse, "I'm writing for kids. They won't care if this makes absolutely no sense. And my adult readers will buy anything with my name on it, so no worries there about internal logic." Sentences clunk instead of flow. The only characters who have any depth are Max and ... well, just Max, really, though Fang and Jeb (who barely appears) have their moments. Oh! Yeah! Speaking of Fang, here's another thing I love. Fang has a blog? The Flock is perpetually on the run from bad guys? Then why on Earth would he reveal where they are and what they are doing? These kids are supposed to be smart! And still yet another example that made me wonder where Patterson's editor was: towards the end of the book, we are casually told that a particular character was revealed (offstage) to be a bad guy. Why? There is not one single shred of evidence anywhere else in the book to prove that. or make it significant. If it's never a factor, why was it necessary to mention it?

Okay. End rant. I've spent enough time on this. I still have two half-written posts to finish and three more (and much better) books to write about. I think I'll go watch more of the Olympics. Maybe that'll help get me over this disappointment of a book so that I can concentrate on writing those posts tomorrow (after my summer reading-is-over party).

Love & Lies: Even Harder Love

Love and LiesMarisol's Story by Ellen Wittlinger
4Q 3P Audience: J/S (recommended for high school students)

Warning: While this post doesn't reveal that much more than the synopsis in our catalog, it definitely is spoiler-ish in nature. I consider this book an "it's not the destination, it's the journey" type of book, but if the destination is what's important to you as a reader, come back and read this after you've finished the book.

I was thrilled to learn that Ellen Wittlinger had written a companion novel to Hard Love, one of the very first Printz Honor books. In that novel, Gio falls in love with Marisol, despite the fact that she's a self-described "Puerto Rican Cuban Yankee Cambridge, Massachusetts, rich spoiled lesbian private-school gifted-and-talented writer virgin looking for love." After Marisol breaks his heart twice over (at least), Gio finally realizes both that love is hard and that Marisol is not the girl for him, and the two go their separate ways. It is a beautifully written book, well deserving of all the praise heaped upon it. I honestly don't remember every detail of the book, but there are certain scenes that I've never gotten out of my head. Wittlinger creates characters I really care about, and often it is her secondary characters who capture my attention most. Two of her books left me with a sensation I don't often get when I read: I worried about what happened to the characters after the book ended. I'm still (very) worried about Razzle, but now I know that Marisol survived unscathed from what I thought was a very poor decision. She was lucky. But she doesn't walk away from this book unscathed. Not by a long shot.

Marisol has two goals in this gap year she's taking before she heads to Stanford and college: write a novel and fall in love. How hard could that be?

As it turns out, it's much harder than expected. Oh, not the writing thing so much. Marisol is a good writer, and she knows it. She feels only the slightest of butterflies when she signs up for an Adult Education class called Writing Your First Novel. She fully expects to be the star of the class, and she is. What she doesn't expect is the absolute swarm of butterflies she gets at her first look at the instructor, Olivia Frost. Olivia is stunning. She wants attention and knows how to get it. She especially gets it from Marisol, who is soon head over heels in love. And it's just possible...no, probable...no, definite! that Olivia has feelings for her, too. Bliss!

Not bliss? What kind of love is it that makes you lie to your friends, your lover, and yourself? And just who lying to who?

We get old friends and new here. Birdie, Marisol's best friend, is now sharing an apartment with her. He brings home Damon, a college friend/potential lover. Marisol doesn't see the attraction, either as roommate or lover. The interplay between the boys and between Marisol and the boys add humor and sweetness to Marisol's story. I confess that Birdie didn't make much of an impression on me in Hard Love, but I appreciate him more here. Like all true friends, Birdie isn't afraid to tell Marisol a few home truths now and then, but he also always has her back. Marisol also has a new friend, Lee, an Indiana fish out of water newly out of the closet. Lee is deceptively quiet, which makes it easy for Marisol to take her lightly at first. However, it becomes clear eventually that Lee is nobody's patsy. Lee probably isn't destined to be one of those stand-out characters for me (I found her a little too pale a character for a little too long), but I admire the way she stands up for herself. Best of all (though a little too conveniently for believability's sake), Gio is back . He seems to be in a much better place now, which I was very pleased to see. And I really enjoyed seeing him call Marisol on her stuff, partly because it was what she needed to hear and partly because it shows how far he's come. The relationship between these two characters works. It feels real and they feel real, and all of the stuff that came between them before just deepens their relationship.

Marisol goes through a lot in this book. Some of it she brings on herself. It can't be denied that Marisol thinks highly of herself and doesn't always think enough about the people around her. She enjoys being the center of attention, whether or not it's always deserved. But she truly is talented, and she does have a caring heart. And her yearning to be loved is familiar to almost everyone. As a reader, I wanted her to fall in love with someone wonderful, to have her first love be one that would always make her smile. My heart ached as I watched that not happen. As always, Wittlinger left me thinking about her characters and wondering where they were going next. But unlike in Hard Love, I wasn't worried about Marisol at the end of this one. She may be wounded, but I got the feeling that her own hard love will make her less self-centered, wiser, and stronger. She's going to be okay.

Check out TeacherTrenches for a really interesting interview with Ellen Wittlinger. (I'm linking to Part One. There will be a Part Two shortly.)

Half-Bloods and Rangers

I'm not reading as slowly as it may look. It's just too hard to do blog write ups at work, especially in the summer when we're busy with summer reading on top of everything else. And I'm wiped when I get home! So I do these posts in dribs and drabs and I fall behind. I'm trying to catch up! In the past couple of weeks, I've read five or six books (not including a couple of adult mysteries). I'll be writing about three of them in other posts. But a huge chorus has already voiced their appreciation of the ones below, so I don't have anything new to say about them. I'll add just some quick random thoughts:

Battle of the Labyrinth by Rick Riordan

Gods, these books are fun! It's a neat concept that Daedalus's labyrinth is, essentially, a living thing. And how unsurprising that it leads, among other places, right to Camp Half-Blood, giving Luke and Kronos a terrific opportunity to attack before Chiron and Mr. D can do anything about it. Of course, Percy, Grover, and Annabeth have something to say about that! It would really have helped, though, if I hadn't been listening to Titan's Curse at the same time I was reading this one! (I didn't realize I hadn't read it until I started talking about BotL with a patron and couldn't remember what happened in TC. No duh - you have to read it to remember it!) I really enjoyed the reappearance of Rachel Elizabeth Dare, and I'm quite intrigued to see how (I do think it's a how, not a whether) she'll fit into the rest of the story. I'm also curious about the hints Annabeth keeps dropping about something she can't/hasn't told Percy about yet. Props to Grover! Nico...you're a little scary. (I think maybe I'd rather face Luke than Nico.) I'll be impatiently waiting for the next one, just like just about everyone else!

Battle for Skandia by John Flanagan

Speaking of being impatient for the next one, a significant number of the hits I get on this blog are for people who either want to read one of John Flanagan's books online (to my knowledge, they aren't available that way, sorry) or who want to read book seven or eight. But we're only up to book four here in the U.S., unfortunately. I'm with them - I'd love to read the rest of these books now! Flanagan is back in form with this book. I thought The Icebound Land didn't hold up as well as the first two in the series. Will drugged into a stupor for most of the book just wasn't a terribly compelling read for me. I was even more bothered by some writing that fell more than a little flat (awkward phrasing, too much telling instead of showing). But Battle for Skandia leaves those problems behind. There's plenty of action right from the beginning, and plenty of humor, too. (It helps that Halt is back in a central role.) Battle for Skandia takes up right where the last book ended, with Will and Evanlyn hiding in the hut waiting for Will to recover his strength. When Evanlyn is abducted by Temujai warriors while checking animal traps, Will needs to summon all his strength to rescue her. Fortunately and fortuitously, Halt and Horace are also on the trail. Their reunion is immensely satisfying. Far from dragging, the action ratchets up as inexorably as the Temujai warriors march towards battle. Things are desperate, as the Skandian method of battle is pretty much "bash and smash", and the Temujai are a much more skilled and strategic fighting force. The Skandians have no chance at all, unless they can come up with something surprising to slow the Skandians down and force them out of their tried and true battle strategems. Fortunately, Halt and Will have a few good ideas that just might do the trick.

A teen patron here told me that "the book gets really good in the last forty pages or so". He really called it. Those forty pages are the big battle, and it's worth the wait to get there. But as much as I appreciated the pace of the novel, I also loved that the humor is back in full force. It's a toss up to decide whether Halt is funnier dealing with Horace or with Erak. Flanagan also deals nicely with the "is this what they call love?" triangle between Will, Horace, and Erak. Battle for Skandia left me wanting more, and fortunately, I'm going to get just that. Too bad it's not going to be as soon as I want it to be!

Boy Toy

Boy Toy by Barry Lyga
5Q 3P Audience: S

I usually try to come up with something a little quirky or at least more interesting than "title of book" for my subject lines. But I can't do that with this book. Boy Toy is too disturbing to treat it lightly. It was a hard book to read, not because of how it was written, but because of its subject matter. At times, I almost didn't want to pick it back up again, because it was so hard to read about Josh's experiences. But it is also a compelling read. You don't finish Boy Toy, close the cover, and grab the next book on your pile. You need time to decompress afterwards.

The topic, sexual situations, and language mark Boy Toy as a book for older teens. Lyga isn't coy about his topic. Though the writing is not explicit, it is abundantly clear exactly what Eve is doing to Josh. I was uncomfortable reading certain passages, as I think most readers will be. (It should be uncomfortable to read about sexual abuse.) Boy Toy is well written, thought provoking, and deeply unsettling. It deserves its place on ALA's BBYA 2008 list and its Cybil Award. But readers should know going in that it's also a book that will evoke strong reactions.

When Josh walks into his seventh grade history class, his instant reaction is that his teacher is HOT. He fantasizes about Mrs. Sherman in all the ways a twelve-year-old boy knows how to fantasize. But he is in no way prepared for what happens next. When Mrs. Sherman asks him to be a part of a study she is doing for one of her graduate classes, he doesn't realize where she intends it to lead. He just likes the idea, since it means they'll spend a lot of time alone together. At first, they work in the classroom after school, but soon they begin to work at Miss Sherman's house. It's cool. She has an X-box, a Playstation, and every kind of video game a twelve-year-old could ever want. He gets to spend time with a beautiful woman who treats him like an adult and play otherwise forbidden video games. Paradise must be like this. In fact, Mrs. Sherman's apartment becomes their own little Garden of Eden, right down to Mrs. Sherman becoming Eve. Ever so slowly, Eve lures him ever closer to tasting the forbidden fruit. First she offers him sips of wine and then she teaches him how to kiss. And then...then she gives Josh the whole apple, and nothing is ever going to be the same for him again.

Lyga deftly shows how this relationship affects every aspect of Josh's life. It affects his parents' marriage, his friendship with Zik (his best friend), and makes it absolutely impossible for him to have a normal relationship with girls his own age. But Lyga goes deeper than even that. Josh knows what happened to him. But nothing about it is as cut and dried for him as it seems to be for everyone else. After all, that apple was delicious. If he enjoyed eating the fruit, if he wanted to eat it, should Eve be blamed for giving it to him? Adding that question to the mix adds an even deeper layer to this book.

The only thing I'll quote from this book is a passage on forgiveness, because I thought it would be interesting to compare it to the forgiveness quote from Deb Caletti's The Fortune of Indigo Skye:

See, forgiveness doesn't happen all at once. It's not an event -- it's a process. Forgiveness happens while you're asleep, while you're dreaming, while you're inline at the coffee shop, while you're showering, eating, farting, jerking off. It happens in the back of your mind, and then one day you realize that you don't hate the person anymore, that your anger has gone away somewhere. And you understand. You've forgiven them. You don't know how or why. It sneaked up on you. It happened in the small spaces between thoughts and in the seconds between ideas and blinks. That's where forgiveness happens. Because anger and hatred, when left unfed, bleed away like air from a punctured tire, over time and days and years. Forgiveness is stealth. At least, that's what I hope.

A Person or a Thing?

The Adoration of Jenna Fox by Mary E. Pearson
4Q 3P J/S

(Apparently, Blogger's scheduling option doesn't always work. This was supposed to be auto-posted a couple of weeks ago.)

Is it possible to be loved too much?

What makes a person a person?

Just because you can do something, does that mean you should?

Jenna Fox has been in a coma for a year. When she wakes up, she doesn't remember who she is. She doesn't know even the simplest words, and her mind can't grasp concepts like time. She doesn't know how to read the expressions on people's faces anymore. She can't walk, and she can't talk. She makes amazing progress, though. It only takes a couple of days before she can talk and walk around. Her memory is still spotty, though. She can quote whole pages from books, but she can't remember who this person she's supposed to call Mother is. She doesn't remember her father, either, or her grandmother, Lily. Even worse, she doesn't remember herself. She has to watch video discs to learn that she excelled at ballet or see what a happy family they used to be. And there are plenty of discs to watch - one for every year of her life, right up until her accident. Every moment of her life was chronicled by her doting parents.

Those vids were of her life back in Boston. But only her father lives there now. Jenna, her mother, and Lily are out in California, living in a house that seems empty and unfinished. As hard as her mother tries to make everything seem normal, things just don't seem quite right. For one thing, Jenna doesn't need to know how to read expressions to know that her grandmother doesn't like her. What could she possibly have done to make Lily dislike her so much? And why does their neighbor tell Jenna that they've only been in the house for a couple of weeks, when she's sure they must have lived there for a couple of years? Why does she keep having dreams about her two best friends, and why doesn't she have any get well notes or calls from them? Why does her mother get so uptight whenever Jenna tries to leave the house? And why are there locked rooms behind the closets?

When Jenna discovers the answer to the last question, everything begins to fall shockingly into place. And then Jenna discovers the shocking truth that her parents have hidden from her. She begins to question her own existence. Who is she? What is she? And should she be at all?

Science has made our lives easier. It's enabled us to explore space. It's helped us to live longer and healthier lives. But can science go too far? At what point does helpful science turn harmful? And just because something is possible, does that mean it should be done?

Quote:

(Jenna's poems appear throughout the book. This is one of them.)

Pieces

A bit for someone here.
A bit there.
And sometimes they don't add up to anything whole.
but you are so busy dancing.
Delivering.
You don't have time to notice.
Or are afraid to notice.
And then one day you have to look.
And it's true.
All of your pieces fill up other people's holes.
But they don't fill
your own.

Insist on Yourself

The Fortunes of Indigo Skye by Deb Caletti
4Q 4P J/S

When I first started reading about Indigo Skye, she made me think of Joan Bauer's Hope in Hope Was Here and Jenna in Rules of the Road. All three characters share a joy in their jobs and a deep sense of satisfaction in knowing they do the job well. Indigo and Hope are both waitresses. Indigo doesn't understand why people think it's okay to work as a waitress but not to be a waitress. She loves waitressing so much that she would happily make it her lifelong career, much to her mother's consternation. As far as Indigo is concerned, waitressing is about giving nourishment and creating relationships, not just about bringing the ketchup. As a result, Indigo is quite invested in the lives of the regulars at Carrera's, and they are equally invested in hers. It's a tragedy when Trina has to sell her car. When she finds Leroy by the side of the road dressed in an outlandish costume, she wants to know why. They all burn when Nick is taunted by coworkers who think it's funny to call him Killer. In short, they care for each other at Carrera's.

Maybe that's why the Vespa guy intrigues them so much. It's immediately clear that he's not the type they usually get at the diner. It's not just that the clothes he wears mark him as someone far too well-off to frequent a diner. It's the way he comes in and orders "just coffee" and then sits alone at a table staring out the window. He does this day after day, refusing to be drawn into the easy camaraderie the rest of them share. Though they're dying to know his story, Indigo and the regulars respect his obvious wish to be left alone. That is, they do until Indigo spots the cigarettes on his table and reams into him for being a smoker and ruining his health and the health of those around him. In most cases, Indigo's little tirade would cause the customer to demand to see the manager. It might even have cost her her job. But Indigo doesn't lose her job. Instead, she becomes 2.5 million dollars richer practically overnight.

Indigo has been very happy with her life up to this point. She loves her mother, sister, and her twin brother. She has a boyfriend she's crazy about and who is crazy about her in return. The fact that none of them has any money to speak of has never been a significant problem. But $2 million will change anyone's life, and not always for the better. Before she knows it, her job is in jeopardy, she's barely speaking to her boyfriend, and she doesn't know who she is anymore.

Musings:

I love Deb Caletti's writing. It's not just that she creates interesting three-dimensional characters I enjoy reading about and think I'd like to know or that she puts them in interesting situations (some of which I can relate to better than others). I like her writing. She knows how to turn a phrase. I find sentence after sentence that are evocative, telling, and immensely satisfying. She has the ability to make you laugh and think in the same sentence. That could be said about this whole book, though it's a book with humor, not necessarily a humorous book. Mostly, it's a book about caring about people and about discovering and staying true to what's important to you.

Quotes:

You can tell a lot about people from what they order for breakfast. Take Nick Harrison, for example. People talk about him killing his wife after she fell down a flight of stairs two years ago, but I know it's not true. Someone who killed his wife would order fried eggs, bacon, sausage -- something strong and meaty. I've never served anyone who's killed his wife for sure, so I don't know this for a fact, but I can tell you they wouldn't order oatmeal with raisins like Nick Harrison does...I once heard someone say you can destroy a man with a suspicious glance, and I'm sure they're right. Nick Harrison was cleared of any charges, and still he's destroyed. Oatmeal with raisins every day means you've lost hope. (p. 1)

People like to have something to turn down, though. They want to be able to say no to some things, because it makes their yes more meaningful. Even if that's just scrambled instead of poached or fried, wheat and not sourdough or rye. And "no" -- it's also a handy, accessible mini-capsule of power. Maybe you can't destroy your asshole boyfriend, but you can at least reject apple crumble pie. (p. 25)

What I am is happy. And maybe that's the closest definition for the word we can get, a life equation: an absence of wanting equals happiness. (p. 44)

Her room is a technological amusement park -- TV, DVD, computer, stereo, video games. Apparently, this way you could watch anything you wanted all by yourself in your own room, nudging yourself at the funny parts and telling yourself to be quiet because you couldn't hear when you were talking. (p. 55)

In my opinion? It's fine to have a reasonable amount of self-doubt. Maybe it's even necessary to avoid being an obnoxious human being. Cavemen did not do affirmations. Pilgrims fighting disease and freezing temperatures did not focus on eliminating the negative self-talk. The dusty and disheveled folks trudging on the Oregon Trail made it without one-year and five-year goals tacked to the insides of their covered wagons. I don't think they even had self-esteem in those days. (pp. 55-56)

The willingness to embrace the idea of "a surprise" is dependent on our past surprises being good ones. Maybe this is obvious, but I don't think so. Pessimism and caution and cynicism and the inability to be spontaneous are character flaws to those who've had good fortune, and common sense to those who haven't. (P. 111)

I guess forgiveness, like happiness, isn't a final destination. You don't one day end up there and get to stay...It's in and out, like the surf...Sometimes forgiveness is so far away you can barely imagine its possibility, and other times, surprising times...it is a sudden, unexpected visitor who stays briefly before moving on. (p. 138)

We are swayed too much, (Emerson) said, by the wrong things, by what each other has, not what each other is. We must be nonconformists, he wrote. We must think for ourselves, because the only sacred thing is the integrity of our own minds. Insist on yourself, he said. (p. 276)